An addictive and frequently painful drama with a strong female lead who shines with resilience.
A young girl makes her way in America after emigrating from Ireland in Sweeney’s historical novel.
It is October of 1886 when 13-year-old Mary Agnes (called Mary A.) Coyne gives her beloved grandfather, Festus Laffey, a tearful goodbye hug and kiss. She is on her way to America—alone, frightened, and excited. Although she had dreamed of seeing the world beyond western Ireland, she had not expected to leave on her own at such a young age. But her mother throws her out of the house after her 15-year-old half-brother Fiach attempts to rape her, blaming Mary A. for the attack. Her grandparents offer her sanctuary from her violent father and vengeful mother, but her grandmother grows ill and can no longer care for her. Her grandparents arrange for Mary A.’s maternal uncle and his family, living in Chicago, to provide a home for her. Arriving in Manhattan, she goes to the church that is supposed to send her on to Chicago and learns that she must live with and work for an Irish family in New York before the priest will pay for her train ticket. One month later, Mary A. heads west. After a warm and effusive welcome, her uncle makes it clear she must find a live-in service job in one of Chicago’s prominent houses. Joy and sorrow await her. The poignant narrative is helmed by a sturdy young protagonist who faces a series of obstacles and injustices with courage, picking herself up after each emotionally challenging (and sometimes tragic) setback and pushing forward with determination. Sweeney imbues her prose with a gentle Irish lilt: “a beauty she were, that Laffey girl, when she were young; such a shame what happened to her, do you think it could have been her—no, no, best not to say, best not to say.” Her depictions of life in Ireland, the tortuous journey across the Atlantic, and Mary A.’s experiences as a young immigrant, complete with the rampant bigotry and misogyny of the era, are always vivid and compelling.
An addictive and frequently painful drama with a strong female lead who shines with resilience.Pub Date: Dec. 10, 2024
ISBN: 9781647427764
Page Count: 344
Publisher: She Writes Press
Review Posted Online: Sept. 13, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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