An addictive and frequently painful drama with a strong female lead who shines with resilience.
A young girl makes her way in America after emigrating from Ireland in Sweeney’s historical novel.
It is October of 1886 when 13-year-old Mary Agnes (called Mary A.) Coyne gives her beloved grandfather, Festus Laffey, a tearful goodbye hug and kiss. She is on her way to America—alone, frightened, and excited. Although she had dreamed of seeing the world beyond western Ireland, she had not expected to leave on her own at such a young age. But her mother throws her out of the house after her 15-year-old half-brother Fiach attempts to rape her, blaming Mary A. for the attack. Her grandparents offer her sanctuary from her violent father and vengeful mother, but her grandmother grows ill and can no longer care for her. Her grandparents arrange for Mary A.’s maternal uncle and his family, living in Chicago, to provide a home for her. Arriving in Manhattan, she goes to the church that is supposed to send her on to Chicago and learns that she must live with and work for an Irish family in New York before the priest will pay for her train ticket. One month later, Mary A. heads west. After a warm and effusive welcome, her uncle makes it clear she must find a live-in service job in one of Chicago’s prominent houses. Joy and sorrow await her. The poignant narrative is helmed by a sturdy young protagonist who faces a series of obstacles and injustices with courage, picking herself up after each emotionally challenging (and sometimes tragic) setback and pushing forward with determination. Sweeney imbues her prose with a gentle Irish lilt: “a beauty she were, that Laffey girl, when she were young; such a shame what happened to her, do you think it could have been her—no, no, best not to say, best not to say.” Her depictions of life in Ireland, the tortuous journey across the Atlantic, and Mary A.’s experiences as a young immigrant, complete with the rampant bigotry and misogyny of the era, are always vivid and compelling.
An addictive and frequently painful drama with a strong female lead who shines with resilience.Pub Date: Dec. 10, 2024
ISBN: 9781647427764
Page Count: 344
Publisher: She Writes Press
Review Posted Online: Sept. 13, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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