Multilayered, graceful, couched in poetry, supremely honest, gentle yet jarring, Hay’s thought-provoking novel pulls you...
A year in the lives of Anikka "Ani" Lachlan, a young widow, and Roy McKinnon, a poet back from the World War II battlefield, provides a bittersweet tale of adjustment to life’s tragedies.
Hay’s lovely language and imagery overlay grim content. Death is death, but does it matter how one died...or why? How do you go on after a loss? And why should you? Ani struggles to gain a foothold as her idyllic life on Australia’s rugged coast is tragically altered after her railway-man husband's death in an accident. Inherent optimism, love for her child, and the community’s support—and perhaps thoughts of her new friend Roy—provide her strength. Roy fights emotional battle scars and finds himself unable to write the profound poems he wrote during the war. He looks to Ani for his healing, and she becomes both his muse and secret love. His breakthrough poem is about Ani, and as he waits for her to acknowledge it, never daring to ask what she thought of it, his despondency grows. Ultimately Ani and Roy find their own ways into a new peace. Hay shifts between past and present to gradually pull together the fullness of her subject: life’s randomness—why, for example, one person dies while another “keeps walking clear.” The narrative flows slowly to its unsettling conclusion. Hay is both cerebral and emotional in portraying life’s catastrophes and the way people cope. As if her message is too raw to lay out in blazing color, she camouflages it in poetry and half-seen images—and it works. The message is clear, and the shocks are softened but no less there.
Multilayered, graceful, couched in poetry, supremely honest, gentle yet jarring, Hay’s thought-provoking novel pulls you along slowly, like a deep river that is deceptively calm but full of hidden rapids. Much to ponder.Pub Date: April 5, 2016
ISBN: 978-1-5011-1217-1
Page Count: 288
Publisher: Atria
Review Posted Online: Jan. 17, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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