A haphazard and unpolished set of tales despite occasional Southern charms.
A collection of short stories that aims to inject real-world drama into tales of the holiday season.
Editor Davis takes up the laudable challenge of shedding light on rural poverty in an often saccharine genre. A recently released prisoner struggles to buy gifts for his daughters in Laura Hunter’s “As Luck Would Have It,” a notable work that encapsulates a bleak realism one doesn’t often encounter in stereotypical depictions of Christmas. In it, the ex-con gets out of prison only to encounter a post–Covid-19 world of social distancing in which the cost of protective masks is prohibitive and conservative members of his family fail to grasp the pandemic’s reality. However, other entries in this anthology fail to reach similar heights. Many unfold too quickly, offering sketchy narratives that feel wan and lifeless. Others simply feel inconsequential; in one story, for instance, a narrator merely glowers at rotten kids in a mall, while in another, a narrator unremarkably ruminates on his dad while peeling an orange. A few clichéd, hopeful endings lack any grit to speak of, and a few tales take place outside the Southern United States despite the book’s title: Pete Black’s “Stille Nact,” with its bland report of a World War I truce, is the most obvious example. In addition, “Moonlight” features a distracting use of Southern dialect that feels mocking and garish. Ultimately, although a few stories stand out as rare treats—including Jennifer Horne’s wryly narrated “Halfway to Nashville,” which closes the collection—this book too often feels as if one is rummaging through a stocking full of coal.
A haphazard and unpolished set of tales despite occasional Southern charms.Pub Date: Nov. 8, 2021
ISBN: N/A
Page Count: 75
Publisher: BWPublications
Review Posted Online: Oct. 15, 2021
Review Program: Kirkus Indie
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
All hits and no skips is a tall order, but this strong, solid compilation is well worth a short story lover’s time.
Pitlor ushers in her final installment as series editor of this long-running staple showcasing the year in short fiction.
Of all the kids at the literary lunch table, the anthology might have it the hardest. Wearing plaid with stripes, unpacking the random items in its lunch box—it’s hard for a cohesive personality to shine through, unlike those cool-kid single-author collections. But if readers are prepared for eclecticism—and since Best American Short Stories was established in 1915, we must be—these 20 stories have something for everyone. Guest edited by Groff, a seven-time Best American author, the collection includes some nods to short story royalty: Jhumpa Lahiri, Lori Ostlund, the late Laurie Colwin, and Jim Shepard are all represented. But as both Pitlor and Groff discuss in their introductions, Groff sent back Pitlor’s initial batch of stories asking for something “rawer, meaner, spikier”—stories with their own “weird logic.” (Groff’s description of this aesthetic preference lands better than her diatribe against the first-person point of view, which precedes 12 of 20 stories in first-person.) In finding weird, spiky stories, Groff leans hard—and often thrillingly—on early-career writers. There is Katherine Damm’s sparkling and funny “The Happiest Day of Your Life,” featuring a young husband freewheeling into drunkenness at a wedding reception for his wife’s ex-boyfriend. In Suzanne Wang’s inventive “Mall of America,” AI narrates a tale of corporate (and all-too-human) woe when an elderly man spends time after hours in the mall’s arcade. Madeline Ffitch’s “Seeing Through Maps” recounts the tense relationship between two neighbors with a complicated history. In Steven Duong’s “Dorchester,” a young writer has a poem go viral after an anti-Asian hate crime.
All hits and no skips is a tall order, but this strong, solid compilation is well worth a short story lover’s time.Pub Date: Oct. 22, 2024
ISBN: 9780063275959
Page Count: 400
Publisher: Mariner Books
Review Posted Online: Sept. 13, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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