A very readable if dismal roadside adventure that could have some appeal for Gen X readers or youngsters exploring a...
A Canadian preteen with a deeply unreliable mother hits the road with a fellow runaway amid the chaos of Rodney King–era America.
Award-winning young-adult novelist Little (Anatomy of a Girl Gang, 2014, etc.) spins a bleak tale of wayward youth in this throwback novel set in the grunge era. Eleven-year-old Tucker Malone is a scrappy kid whose mother, Gina, is a stripper/escort and a narcoleptic with a dangerous habit of dropping asleep at any moment. After they make their way to Niagara Falls, Gina has an episode and is struck by a car and severely injured. Tucker is exiled to Bright Light, a group home for troubled teens. His only friend there is Meredith, a pregnant teen escort. “We were a strange match as far as friends go, but magnets don’t need to understand how magnetism works; they just repel each other or stick together,” Tucker tells us. But it’s a dark time. Meredith quickly finds out she’s too far along for an abortion, and Tucker witnesses a fatal stabbing. While all this is going on—and for pretty much no reason at all—Tucker is convinced that his father is the character Sam Malone from the sitcom Cheers. So he and Meredith run away in a stolen car looking for his father. What follows is a cross-country drama during which Tucker and Meredith encounter the best and worst that America has to offer. After a disappointing excursion to Boston to visit the real-life counterpart of the Cheers pub, the unlikely duo make their way to Los Angeles by hitchhiking, traveling with a gun nut, a drag queen, and other motley characters. The book culminates with Tucker and Meredith entrenched in the 1992 Los Angeles riots. Suffice it to say that something terrible happens.
A very readable if dismal roadside adventure that could have some appeal for Gen X readers or youngsters exploring a pre-digital era.Pub Date: Nov. 15, 2016
ISBN: 978-1-55152-660-7
Page Count: 296
Publisher: Arsenal Pulp Press
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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