THE PRINCESS AND THE FANGIRL

A celebrity wants to be somebody else and a fan just wants to be somebody in this The Prince and the Pauper–inspired sequel to Geekerella (2017).

Having played Princess Amara in the movie reboot of cult sci-fi show Starfield, 19-year-old Jessica Stone is ready to move on to more serious roles. High schooler and self-proclaimed nobody Imogen Lovelace idolizes the independent space princess and is campaigning to #SaveAmara. When the look-alikes collide at the annual ExcelsiCon and switch places—a cinematic improbability acknowledged, then cheerfully exploited—each gains a new perspective on fandom. Jess revels in normality and hesitantly explores romance with Imogen’s online friend, Harper Hart. Imogen relishes the limelight and spars and sparks with Jess’ bodyguard, overly serious 17-year-old Ethan Tanaka. Interracial and same-sex relationships are central—Jess and Imogen are white, Harper is black and female, Ethan is Japanese-American, and Imogen has two moms and a gay brother—all befitting the inclusivity and gender-bending aspects of fandom, cosplay, and cons. Yet Poston (Heart of Iron, 2018, etc.) also ruthlessly dissects the dark side of science-fiction and fantasy pop culture: body-shaming, trolls, social media mobs, and sexual harassment. Sometimes, the best tales are the ones that transport audiences, not serious and philosophical but fun, light, and nerdy.

Unabashedly nerdtastic.