Like a meringue—sweet and decorative but doesn’t really satisfy.
A grieving young woman sets out on a quest to meet her favorite reclusive fantasy writer.
As a joint high school graduation gift from Jenna’s parents, narrator Amelia and her best friend, Jenna, fly from their home in Texas to a California book festival so they can meet the reclusive author of the Orman Chronicles books. They leave disappointed, however, when young author N.E. Endsley—only 19—fails to appear. Less than a week later, Jenna dies while studying abroad in Ireland, a last fight between the girls left unresolved. Shortly thereafter, Amelia receives a mysterious limited edition of one of the Orman books, sent from a bookstore in Michigan. Jenna’s parents, who have the financial means and have been treating Amelia for years, pay for her to go investigate; in a somewhat fairy-tale setting on Lake Michigan she meets and befriends Nolan Endsley, who’s grieving losses of his own. Schumacher’s debut meanders through vague fantasylike settings—a fort on the sand dunes, a mysterious room inside the bookstore—and a sort of half-felt emotional landscape of its characters. Nothing’s really at risk for Amelia—at every turn, obstacles are smoothed from her path. Some of her relationships, especially with her parents, who mostly stay off-camera, are shown instead of felt. The timeline of Nolan’s own tragedies and wild successes seems oddly compressed. Main characters are White.
Like a meringue—sweet and decorative but doesn’t really satisfy. (Fiction. 12-18)Pub Date: Feb. 16, 2021
ISBN: 978-1-250-25302-6
Page Count: 304
Publisher: Wednesday Books
Review Posted Online: Nov. 11, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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