A powerful, unforgettable story of loneliness and belonging.
What happens when you find someone who truly sees you as you are?
In her small Texas town, Anna James wears Christmas socks year-round and secretly worries she’s never going to be good enough. She’s struggling to perform her part of a marching band duet and risks having it assigned to someone else. But Weston Ryan—the other half of the duet and a social outcast accused of destroying the school’s memorial tree—reluctantly agrees to help her practice. Weston excels in music but, distracted and upset by his parents’ recent divorce, has trouble keeping his grades up. As Weston and Anna grow closer and inevitably fall for each other, Anna lies to her parents about where she’s spending time, knowing they wouldn’t approve of her seeing him. Echoing beautifully throughout the novel is Weston’s imagining of the last Kauaʻi ʻōʻō bird, the final survivor of his species who in 1987 flew toward a scientist’s recording of a bird call, searching for family who would never come. Schumacher’s gorgeous writing immerses readers in the aching emotions of close friendship and first love before delivering a gut punch of an ending. Told in alternating first-person perspectives, the narrative memorably portrays anxiety and depression without explicitly naming either, weaving these subjects into well-drawn everyday scenes. Main characters are implied White.
A powerful, unforgettable story of loneliness and belonging. (Fiction. 12-18)Pub Date: Feb. 22, 2022
ISBN: 978-1-250-77978-6
Page Count: 320
Publisher: Wednesday Books
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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