A richly textured but slow-moving southern family story from first-novelist Warlick, who, at 23, is the youngest recipient ever of the Houghton Mifflin Literary Fellowship. After four years of college, financed by the beloved and difficult grandfather she calls ``Punk,'' Mavis Black returns home to South Carolina to be the bookkeeper at Punk's vineyards. Although her college was in a neighboring state, Mavis has not been home in two years. She had a life—and boyfriend—in her college town, but she knows that doesn't completely account for her absence. Returning now, she has much to figure out, including how to find her place again among the people who've always meant everything to her: her reclusive mama; her grandmother, Miss Pauline; Owen, her wild uncle, who's only six years older than Mavis and has always been more like a brother; and, finally and inevitably, Punk, the grand patriarch who's always kept everything going. And plenty is going on, including an extravagant wedding for Mavis's 33-year-old aunt, Hazel, major changes at the vineyard, and Owen's carousing, which results, eventually, in his disappearing from town altogether. Warlick writes evocatively about South Carolina, the vineyards, ``the smell of rotten peaches in the sun,'' and the Edisto River threading its way though the countryside. And—excepting the shadowy Mama—she has created characters of depth and real presence. But for all the plotlines, including the question of Owen's whereabouts and Mavis's on-again, off-again boyfriend Harris, there is nothing that truly carries the story forward. The trouble lies partly in Mavis's narrative habit of telling too much at times while at others—as if coyly—telling not nearly enough. At end, most of the unresolved questions remain unsolved, and, as we'd been kept distant from the heart of things, we're left with glimmers of a powerful story. Like the river: lovely and languid, but just as winding and elusive too. (Author tour)
Pub Date: April 15, 1996
ISBN: 0-395-74177-7
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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