A lovely, reassuring tale for children set during and after the Covid-19 pandemic.
A little girl and her friends—following Covid-19 safety protocols—take an exhilarating bike ride in this picture book.
On a windy autumn day, with Dad jogging behind, a girl rides her balance bike—“Feet on pavement. / Tush in seat. / Kick, balance, roll.”—meeting friends whom she hasn’t seen “in FOREVER,” she says. The reason for that is clear from the masks the girl and her friends are wearing and the safe distance they maintain from one another. These Covid-19 concerns don’t interfere with their fun, and that’s the point in this gently affirming tale. The story shows that masks, like the helmet each child wears while biking, are no big deal, just a simple, everyday thing worn for protection. Wheelock and Evans, who collaborated on their first children’s book, We Toot! (2019), impart this message in a loose, free-verse style, capturing the high spirits of kids at play. Swartz’s watercolor illustrations—softly hued and evocative of breezy outdoor fun—depict the kids, each wearing a differently patterned mask, as a diverse group with varied skin tones and hair colors. Speeding down a steep hill ends with the girl’s spill and tears, but Dad is there. Besides, it’s more important, she notes, to help a little boy find the toy bunny he lost during the ride. The story then repeats with one change: The characters no longer wear masks, an unspoken pledge that one day they will no longer be necessary.
A lovely, reassuring tale for children set during and after the Covid-19 pandemic.Pub Date: Sept. 3, 2020
ISBN: 978-1-73313-745-4
Page Count: 54
Publisher: House of Tomorrow
Review Posted Online: Oct. 22, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
