A heartfelt tale of motherhood and Mother Earth.
A family is torn apart by the machinations of an evil spirit in Wolfe’s novel that draws on mythology of Indigenous peoples of South America.
Nine-year-old Rani catches a fish in the river that dies suddenly and mysteriously as he pulls it from the water. His father, the tribal chief Karòn, touches the fish and gets a strange blister. Later that night, the chief bursts into the hut where his wife and sons are sleeping and kills two of the boys in a furious, unprovoked attack. After the funeral, their mother, Entza sends the three surviving brothers, including Rani, away from the village to ensure that they’re safe from their father: “You will live in the forest, away from men, until somehow, I give you a signal that you may return,” she tells Rani. “You will not enter this or any other village unless you are bid by me alone, no matter how much time passes.” Along with his older brother, Gryph, and baby brother, Marev, Rani flees into the jungle. In the forest, Pachamama—also known as Mother Earth—watches over the boys and wishes to protect them as much as Entza does. The group survives by relying on Rani’s peculiar talent for communing with nature. Back in the village, Entza tries to bring Karòn to justice and contend with the evil spirit, Kenaima, that may have influenced him. Wolfe’s prose, framed as narration by the Pachamama herself, is well calibrated to this primordial tale: “[Karòn] walked in his lifeless way past huts and along the paths toward the village center, intent on reaching his home. His sleeping wife his target. I longed to cry out, give warning to Entza that he was coming for her.” Despite the magical atmosphere, the book takes its characters and their relationships seriously, and the complex familial relationships give the story an intense emotional resonance. Likewise, Wolfe skillfully makes the natural world a dynamic, ever present factor in the story—educating, endangering, and sustaining Rani at every turn. There are sections where the narrative momentum seems to stall, but the overall reading experience is thrilling and rewarding.
A heartfelt tale of motherhood and Mother Earth.Pub Date: Nov. 6, 2019
ISBN: 978-1-5320-8468-3
Page Count: 188
Publisher: iUniverse
Review Posted Online: May 21, 2020
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
