A handsome, well-researched tribute to forest ecology and the brave people who help protect it.
Presenting panoramas of a lightning-sparked wildfire, Wolff honors a forest ecosystem and the workers who monitor, manage, and fight forest fires.
Cinematic scenes toggle between animals—sensing danger, seeking shelter for themselves and their young—and humans, who are spotting, communicating, and fighting the wildfire, from the air and on the ground. Various birds—jay, raven, and more—sound the alarm, echoing Wolff’s refrain: “FireFireFire in the forest!” Double-page spreads feature dramatic perspectives and a palette of cool blue-greens and browns, and fiery red, yellow, and purple. Wolff portrays the humans involved in this crucial, often dangerous work as a committed group of racially and gender-diverse workers: Maria staffs a fire lookout; Mia’s a pilot ferrying smokejumpers. Dedicating the project to her son Brennan, a Pacific Northwest hotshot for three seasons, Wolff depicts him by name as a crew member. A bulldozer’s wide swath of “scraped earth finally halts the fire’s march.” A welcome storm helps douse flames as tired crews return to base and pilots fly smokejumpers to new wildfires. Final spreads convey a charred forest that nonetheless highlights some of fire’s natural, regenerative properties: burst pine cones with nuts for squirrels; temporary meadows for deer; tree snags for foraging woodpeckers. An author’s note details shifts in federal response to wildfires and the increasing impacts of climate change and human activity.(This book was reviewed digitally.)
A handsome, well-researched tribute to forest ecology and the brave people who help protect it. (glossary, firefighting tools, sources) (Picture book. 5-8)Pub Date: Oct. 5, 2021
ISBN: 978-1-5344-8773-4
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A fair choice, but it may need some support to really blast off.
This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.
Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.
A fair choice, but it may need some support to really blast off. (Picture book. 6-8)Pub Date: July 31, 2018
ISBN: 978-1-338-18949-0
Page Count: 32
Publisher: David Fickling/Phoenix/Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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