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TWO SISTERS

A FATHER, HIS DAUGHTERS, AND THEIR JOURNEY INTO THE SYRIAN JIHAD

“Is it ethically defensible to focus on the lives of two girls when they have not granted their consent?” Seierstad wonders...

In which the sins of the children are visited upon the fathers: an unblinking journalistic account of the life of the jihadi.

“You did not suddenly wake up one day a fanatic,” writes Norwegian journalist Seierstad (One of Us: The Story of Anders Breivik and the Massacre in Norway, 2015, etc.) toward the end of this insightful but somewhat overlong story of immigrant dreams betrayed. “It was a direction you grew in.” Sadiq had come to Norway with his wife from Somalia and there, by hard work and no small travail, had raised two daughters and a son. In late adolescence, having slipped into a gradual fundamentalist outlook, the two daughters vanished only to announce, both defiantly and apologetically, that they were off to battle the infidels on the battlefields of Syria. Their journey led them into a hornet’s nest of Islamic State terrorists from every corner of the Muslim world arrayed against a Russian-backed dictatorship; there they plunged ever further into the violent jihadi cause. As the daughters, never quite silent or out of sight, became more religious, the son became more militant in rejecting Islam; part of the value of Seierstad’s informative account is to witness the back-and-forth emails among them: “God…is such a self-obsessed asshole that he wants the people he ‘created’ to pray to him five times a day and for those who don’t believe in him to be killed,” writes the son, to which the daughter replies, “instead of talking crap and being offensive try finding the truth or shut up and respect other people’s choices.” Meanwhile, even as his family was falling apart, Sadiq tried to remove his daughters from Syria—no easy matter when they didn’t want to leave, standing by their choice to submit to IS.

“Is it ethically defensible to focus on the lives of two girls when they have not granted their consent?” Seierstad wonders at the end. That is for readers to decide, now knowing much more about what drives people to fanatical causes.

Pub Date: April 3, 2018

ISBN: 978-0-374-27967-7

Page Count: 432

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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