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THE PEOPLE'S PLATFORM

TAKING BACK POWER AND CULTURE IN THE DIGITAL AGE

Not to be skimmed. A cogent and genuine argument for the true democratization of online culture.

A filmmaker turns her high-powered intellect not just on the Internet and its effect on our lives, but also on the sociological and economic forces that bend and shape it.

Writer, director, documentary filmmaker, sometime philosopher, political activist and self-described troublemaker—not bad for Taylor, who was unschooled until she was 13 years old and has since become one of the more incisive voices among the multitudes delivering their visions of what the Internet is and might become. In her loquacious but well-defined examination of media culture, the author describes her conversations with a wide range of enthusiasts and doubters, ranging from jazz musicians to economists. She finds that, as opposed to the Kickstarter-fueled utopia that some hugely popular creators predict, when examined en masse, the Web tends to exhibit what Taylor deems a surprising tendency toward monopoly, bent by many of the same problems that have nearly destroyed traditional broadcast media and decimated newspapers. To be fair, she also sees this as an era of adaptation rather than extinction, and she asks the hard questions that often go unanswered—e.g., “Do social media nurture community or intensify our isolation, expand our intellectual faculties or wither our capacity for reflection, make us better citizens or more efficient consumers? Have we become a nation of skimmers, staying in the shallows of incessant stimulation, or are we evolving into expert synthesizers and multitaskers, smarter than ever before? Are those who lose their jobs due to technological change deserving of our sympathy or scorn (‘adapt or die,’ as the saying goes)? Is that utopia on the horizon or dystopia around the bend?” It’s a difficult book to encapsulate simply, one that delves deep into the philosophical nature of people, the complexities of desire, the economics of advertising, the productive chaos of open systems and the value of content in a limitless universe.

Not to be skimmed. A cogent and genuine argument for the true democratization of online culture.

Pub Date: April 15, 2014

ISBN: 978-0-8050-9356-8

Page Count: 288

Publisher: Metropolitan/Henry Holt

Review Posted Online: March 3, 2014

Kirkus Reviews Issue: March 15, 2014

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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