There’s something for everyone in this series opener: Arctic animals, magic, pretty gowns, adventure.
Though never referred to as princesses (nor are Freya and Magnus, their crown-wearing parents, called king and queen), Hanna, Magda, and Ida live in a castle in the Nordic-esque island kingdom of Nordovia. In a prologue, their parents go on a quick overnight trip only to be captured by their mother’s evil sister, Veronika, the Shadow Witch, who wishes to usurp Freya’s powers and her role of Keeper of the Lights (the Everchanging Lights, a special magic that protects the island). When their parents don’t arrive home for the girls’ birthday—a special one, as 12 is the age they come into their own magic gifts—the party is canceled and searches are launched. That night, the sisters’ special snow globe comes to life, as their mother uses it to warn them about Veronika and tasks them with retrieving her power, hidden on the island in three orbs. They trade their glittering gowns and velvet dresses for practical gear and, with their magical polar bear cub, set out to retrieve the first. They succeed by using their powers, which they discover along the way. Though the story is heavily front-loaded with exposition, the pacing’s quick. The attractive artwork throughout uses fine, delicate lines and depicts main characters as White, though crowd scenes show diversity. Sequel The Crystal Rose publishes simultaneously.
There’s something for everyone in this series opener: Arctic animals, magic, pretty gowns, adventure. (Fantasy. 7-11)Pub Date: Dec. 1, 2020
ISBN: 978-1-5344-4349-5
Page Count: 128
Publisher: Aladdin
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Though the lessons weigh more heavily than in The One and Only Ivan, a potential disappointment to its fans, the story is...
Applegate tackles homelessness in her first novel since 2013 Newbery winner The One and Only Ivan.
Hunger is a constant for soon-to-be fifth-grader Jackson and his family, and the accompanying dizziness may be why his imaginary friend is back. A giant cat named Crenshaw first appeared after Jackson finished first grade, when his parents moved the family into their minivan for several months. Now they’re facing eviction again, and Jackson’s afraid that he won’t be going to school next year with his friend Marisol. When Crenshaw shows up on a surfboard, Jackson, an aspiring scientist who likes facts, wonders whether Crenshaw is real or a figment of his imagination. Jackson’s first-person narrative moves from the present day, when he wishes that his parents understood that he’s old enough to hear the truth about the family’s finances, to the first time they were homeless and back to the present. The structure allows readers access to the slow buildup of Jackson’s panic and his need for a friend and stability in his life. Crenshaw tells Jackson that “Imaginary friends don’t come of their own volition. We are invited. We stay as long as we’re needed.” The cat’s voice, with its adult tone, is the conduit for the novel’s lessons: “You need to tell the truth, my friend….To the person who matters most of all.”
Though the lessons weigh more heavily than in The One and Only Ivan, a potential disappointment to its fans, the story is nevertheless a somberly affecting one . (Fiction. 7-11)Pub Date: Sept. 22, 2015
ISBN: 978-1-250-04323-8
Page Count: 256
Publisher: Feiwel & Friends
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
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