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THE HIDDEN GLOBE

HOW WEALTH HACKS THE WORLD

Important documentation of how mechanisms favored by the 1 percent increase global inequalities.

Sharply observed descent into the labyrinth of finance and semantics with which nations and the superrich secure their wealth.

Abrahamian unravels the opaque world of “special economic zones” and other places she terms “legal fictions,” where national and economic boundaries are blurred. She examines “how consultants, lawyers, financiers, and other mercenaries have carved out physical and virtual space above, below, and between nations.” Her research entailed travel to places that “are a product of colonialism, capitalism, technology, megalomania, and a pinch of alchemy,” including remote regions of Laos (economically co-opted by China) and an “open” Norwegian settlement near the North Pole. Other areas she investigates are the wide use in shipping of deceptive flags of convenience and likely future struggles over asteroid mining and ownership of space. Her focus begins appropriately with Geneva, where she grew up, termed a “City of Holes” for its legendary discretion, “a kind of black hole straddling globalization and regulation," forever marked by the “steep moral cost” of its financial complicity with the Nazis during World War II. She describes the Geneva Freeport warehouse as an example of actual physical spaces not fully subject to state controls, “essentially a legal hack” with a clear role in hiding artworks for the rich to evade taxes. Other chapters examine how Western financial interests promoted “free-trade zones” in remote nations like Mauritius, noting, “This made it profitable for American firms to seek out manufacturing opportunities abroad rather than making products in the U.S., where labor cost more.” Abrahamian also considers trendy concepts like “charter cities,” noting, “To cede this territory to rigidly ideological capitalists alone would be a big mistake.” Her well-researched, engrossing work manages the minutiae of several fields, including telecommunications, maritime law, and fine art, to stitch together a multilayered tale of how privilege works to protect itself.

Important documentation of how mechanisms favored by the 1 percent increase global inequalities.

Pub Date: Oct. 8, 2024

ISBN: 9780593329856

Page Count: 320

Publisher: Riverhead

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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