An important story that we still have a lot to learn from, but this telling of it at times feels emotionally disconnected.
Larry Doby was an athletic phenom.
Often overshadowed by Jackie Robinson, the first Black player in the National League, Doby deserves his due as the first Black person to play in the American League. As a boy growing up in the 1920s, young Larry dreamed of playing professional baseball long before such opportunities were open to Black people. In his unsegregated South Carolina neighborhood, sports played an important role, bringing families and people of different races together. In high school, Doby flourished athletically and was afforded a spot in the Negro Leagues; nevertheless, he did not see a long-term career in professional baseball as a possibility. After graduating, while serving in the Navy in 1947, Doby changed his mind after learning of the historic signing of Jackie Robinson to the major leagues. The story goes on to describe Doby’s pioneering accomplishments as a sportsman as well as the racial discrimination he endured. Chapman’s textured digital art effectively makes use of interesting perspectives to create striking visuals, but the text fails at capturing the extent of the racial prejudice Doby had to overcome both on and off the field. The idea that “Change never stops” is a repeated motif, yet the references to social change feel a bit superficial since the book neglects to mention the decadelong campaign Black and White journalists and activists waged to desegregate baseball.
An important story that we still have a lot to learn from, but this telling of it at times feels emotionally disconnected. (author’s note, selected bibliography) (Picture book/biography. 4-8)Pub Date: Jan. 4, 2022
ISBN: 978-1-328-48297-6
Page Count: 40
Publisher: Clarion/HarperCollins
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
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