adapted by Audrey Wood & illustrated by Ned Bittinger ‧ RELEASE DATE: April 1, 2001
Wood (A Cowboy Christmas, 2001, etc.) has retold—and refashioned—a century-old German tale into an engaging, romantic story of the seasons. Mother Earth awakes the Root Children and gathers bits of rainbow for them to make their colorful clothes. The children then wake the bugs and paint them in jewel colors. Aunt Spring welcomes the children in their bright and sweet-scented finery, and when she returns to her bed of ferns and lilies, Cousin Summer enters the scene. Soon, though, studious Uncle Fall arrives, and Mother Earth gathers the Root Children, who leave their brightly colored garments behind. The “masquerade” is over, and the Root Children are tucked in once again for the winter. Bittinger’s (The Rocking Horse Christmas, 1997, etc.) rich oils show a multicultural group of Root Children, who gambol and play in fields, woods, and gardens in the sumptuous colors of forest and meadow. The original, published in German in 1906 by Sibylle von Olfers, was in verse; an early English translation is much more didactic and wordy. In both, the boy Root Children do the painting, the girl Root Children make the clothing, and they come to the earth to do their job, which is to become a profusion of plants, flowers, and grasses. Wood’s tale changes the Root Children’s activities from work to play—not a bad thing, but a definite difference. This can be enjoyed with no knowledge or reference to the earlier tale, of course, and is quite charming in word and image. A song, “Root Children Sleep,” completes the package. (author’s note) (Picture book. 4-8)
Pub Date: April 1, 2001
ISBN: 0-590-42517-X
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
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by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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