Like her characters, Ólafsdóttir’s novel is emotionally chilly while intellectually passionate.
An Icelandic midwife, from a long line of midwives, tries to decipher the meaning of the unpublished manuscripts her beloved great-aunt and mentor left in her care before dying.
The week before Christmas, Iceland braces for a storm of frightening proportions. Alone in the apartment she inherited from grandaunt Fífa, Dýja takes phone calls from her meteorologist sister about the increasingly extreme weather caused by climate change, strikes up a limited but potentially flirtatious relationship with an Australian tourist renting the apartment upstairs, and fixes up Fífa’s run-down flat with the help of a younger midwife. But rudimentary plot aside, the real focus of the book is on Dýja’s ruminations about her own and Fífa’s belief systems about life and death. Tellingly, Dýja, who gave up theology for midwifery, reveals that midwife means “mother of light” in Icelandic, and it's considered "the most beautiful word in our language"; in rather obvious contrast, her parents run a funeral home. Childless women devoted to delivering other women’s babies, Dýja and Fífa see themselves and the world around them with concrete, spare objectivity that readers may find either refreshing or off-putting. Emotions are not discussed and only rarely acknowledged. Instead, this slim novel packs in a lot of factual information, from the sex life of bonobos to the worldwide death rate of women in childbirth—830 a day! Midwifery is the subject but also the metaphor, as is Iceland itself, a nation where people value light since it’s in short supply. Dýja struggles to decide if Fífa’s three manuscripts, shared in snippets, are drafts covering a main theme from different angles or separate entities. Certainly, Fífa seems ahead of her time as she rails against man’s effect on Earth’s survival in the 20th century. Although sexual relationships are mentioned, how they fit into each woman’s life remains mysterious. Both women emphasize the noun man throughout, and it is pointedly vague whether Fífa includes women when she voices her belief that man is inferior to other animals.
Like her characters, Ólafsdóttir’s novel is emotionally chilly while intellectually passionate.Pub Date: Dec. 6, 2022
ISBN: 978-0-8021-6016-4
Page Count: 196
Publisher: Black Cat/Grove
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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