A Georgetown private investigator searches for a dead professor’s last manuscript in Hock’s (Jumbled Marionette Strings, 2013) second novel.
Wylie Wainwright, newly licensed as a PI and newly dumped by his girlfriend of five years, gets his first big case from Pioneer Publishing. One of its authors, a renowned historian and university professor named Al Finkel, has been found dead, and his final work has gone missing. The publishers gave Finkel a large advance, so they need to publish the book to make back their investment. Although the police haven’t yet called Finkel’s death a homicide, Wylie begins to suspect foul play when he interviews Finkel’s family, colleagues and teaching assistant. It turns out that there’s a movement to repeal the 13th Amendment of the U.S. Constitution, which would allow people to sell themselves into slavery to get out of debt, and it’s gaining traction in some political circles. Finkel’s new book could influence the debate, as it would likely oppose such a change. Wylie soon realizes that some people might go to great lengths to keep such a book from publication, and finding Finkel’s lost manuscript could have implications far beyond the publisher’s bottom line. This novel’s premise is unique, and Wylie is a well-drawn character. However, the plot’s philosophical, economic and historical details start to become convoluted as the story progresses, and the action never ramps up; Wylie and his cohorts are never in any real danger. The secondary characters, including Wylie’s best friend, Carter, and the teaching assistant, are one-dimensional; Carter is little more than a party animal, and the only descriptions of the TA focus on her looks. Wylie’s former love, who features heavily in his thoughts, doesn’t even get a line of dialogue when she finally appears. Also, the text’s many misused words (including “discrete” for “discreet,” “piece” for “peace” and “shoe-in” for “shoo-in”) become distracting. A thought-provoking concept for a mystery novel, but with little action to support it.
Pub Date: Feb. 3, 2014
ISBN: 978-0989048828
Page Count: 254
Publisher: MountainLion Press
Review Posted Online: April 4, 2014
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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