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THE LAST PLACE YOU LOOK

A heartwarming story of two lovers learning to move past their fears and commit to a shared future.

A woman returns to her hometown in upstate New York after being unceremoniously dumped by her wife.

Julia Pierce moved to New York City after a whirlwind courtship and marriage in her early 20s. Eight years later, she has no choice but to return home after her wife leaves her for a personal trainer. Although Julia worked on and off throughout her marriage, she now realizes how eagerly she sacrificed her own goals and dreams to make her wife happy. Once back in town, Julia meets up with old classmate Taylor Winslow, not realizing Taylor had a crush on her back in high school. Taylor lives simply, woodworking and making custom furniture that she sells throughout New England. Julia and Taylor have different relationship goals, so they ignore their chemistry and strike up a tentative friendship. Julia is determined to get back into the dating game and enjoy a few casual flings; Taylor is more interested in a committed, long-term relationship. Rey carefully develops a believable and poignant story arc for Julia. She realizes that even though her divorce was painful and humiliating, the real tragedy was losing her sense of her own identity and ambition. After Taylor asks Julia to help photograph a local wedding, Julia realizes she has a talent for photography. Taylor’s arc is more subtle but is still deftly handled. She is confident in her work and place in the world, but as her friendship with Julia slowly evolves into love, she's afraid to fully reveal her feelings. The romance is satisfying and full-bodied, with each character learning how to achieve her own goals and still be part of a couple.

A heartwarming story of two lovers learning to move past their fears and commit to a shared future.

Pub Date: April 14, 2020

ISBN: 978-1-63555-574-5

Page Count: 314

Publisher: Bold Strokes Books

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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