by Austen Ivereigh ‧ RELEASE DATE: Nov. 5, 2019
A good read for Francis devotees but far from unbiased journalism.
A praiseful portrait of Pope Francis.
British journalist Ivereigh (Fellow, Contemporary Church History/Campion Hall, Univ. of Oxford; The Great Reformer: Francis and the Making of a Radical Pope, 2014) presents a hagiographic biography of the Francis papacy to date. In a detailed study packed with insider tidbits, the author examines various overarching issues that have affected and defined the Francis era. In addition to the inescapable issue of priestly abuse, Ivereigh also discusses such topics as Vatican finances, rehabilitation of divorced Catholics, human rights crises, and gender and sexuality controversies. An overarching theme is the problem of clericalism, which the author defines as “the perverse idea that clerics of any sort—bishops, priests, consecrated persons—are superior to non-clerics, who are treated as inferiors.” Clericalism, writes Ivereigh, has pervaded Catholicism for years and tainted it in countless ways, leading to many of the problems the church faces today. Whereas clericalism leads to a distance from those the church is meant to love, Francis is consistent in promoting “closeness” in every possible way. Ivereigh presents Francis as a nearly flawless figure, “an old Jesuit spiritual master” with “native cunning” who “truly imitates Christ.” The closest the author comes to criticizing Francis is in the chapter on the abuse crisis, in which he admits that Francis made certain missteps in his handling of specific cases. Francis’ critics, on the other hand, are “Pharisaical” examples of “naked legalism.” He even goes so far as to call them “neo-Donatists,” referring to an ancient heresy marked by a lack of mercy. Francis, “the master bridgemaker in an era of angry wall builders,” is presented as standing nearly alone against a moribund church and a misguided world. Ivereigh’s connections with church insiders—connections he does not hesitate to highlight—make for an interesting read. His lack of objectivity, however, detracts from an otherwise intriguing study.
A good read for Francis devotees but far from unbiased journalism.Pub Date: Nov. 5, 2019
ISBN: 978-1-250-11938-4
Page Count: 416
Publisher: Henry Holt
Review Posted Online: Sept. 23, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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