by Austin Frerick ‧ RELEASE DATE: March 26, 2024
A genuinely revelatory look at mass food production in the United States.
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A report on the dangerous and disgraceful state of the American food industry.
In his nonfiction debut, Frerick provides in-depth profiles of seven American food companies and the families who own and run them. The author charts how the growth of these companies has exploded in the last century: Politicians have been bought, regulatory laws have been gutted or completely repealed, and “seven food industry barons” have each “built an empire by taking advantage of deregulation to amass extreme wealth at the expense of everyone else.” Frerick writes about the meatpacking giant JBS, noting that in 2017 investigators from the Brazil government accused some of the company’s employees of bribing meat inspectors to allow tainted meats to be served in public schools. He also discusses the Cargill-MacMillan family, owners of Cargill, Inc. (the largest private company in America), identifying their business as one of the “huge, regional-scale corporations owned by just one or a few families who use their political connections to overpower both local democracy and local businesses.” His overview of the tiny handful of companies that provide the vast majority of all kinds of food for Americans naturally includes an analysis of Walmart, the mega-company that, per Frerick, “has triggered a race to the bottom in every imaginable way” by playing a central role in shifting food-shopping to a “private, for-profit space.” Frerick’s prose throughout is both direct and masterfully controlled, with every point supported by extensive references and notes. This is no alarmist screed but rather a careful, systematic, and utterly damning demolition job—an exquisitely informed exposé. In these pages, the author unflinchingly explores the graft involved in suborning politicians, the guile used in circumventing the few regulations that do exist, the staggering cruelty of livestock farming, and sobering societal ramifications (“one’s income will increasingly be reflected in one’s waistline”); the result is quietly devastating.
A genuinely revelatory look at mass food production in the United States.Pub Date: March 26, 2024
ISBN: 9781642832693
Page Count: 248
Publisher: Island Press
Review Posted Online: Sept. 18, 2024
Kirkus Reviews Issue: Nov. 15, 2024
Review Program: Kirkus Indie
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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