by Avery Monsen ; illustrated by Abby Hanlon ‧ RELEASE DATE: March 15, 2022
Get ready for wordplay that’s giggly and fun and lasts long after the story is…over, alas.
Cheerful endpaper illustrations of rhyming word pairs set the stage for this hilarious jab at the nursery-rhyme format.
One day, Chester wakes up and discovers he has lost his special talent—he can no longer rhyme! The text quips that “it baffled poor Chester. He felt almost queasy. / To match up two sounds, it was always so . . . / . . . simple for him.” A disheartened Chester walks to school through a neighborhood populated by classic European nursery-rhyme and fairy-tale characters—there’s a troll under a bridge, a butcher, a baker, a candlestick maker, and more. At school, Chester’s classmates try to help him get his rhyming groove back by staging a show and tell with a cat, bat, mat, hat, and even a rat. Poor Chester can only come up with amusing placeholder names—a bat is a “swingy sports stick,” a mat is a “muddy foot wipe,” and so on. On his way home, he observes community members performing various jobs and has a revelation that puts things in perspective. Monsen’s clever text offers both lexical fun and an important lesson: “This too shall pass.” Well-timed page turns will have kids shouting out the missing, but easily guessable, end rhymes. Sharp-eyed observers will also notice that the shops in the artwork have rhyming names. Hanlon’s busy gouache and colored pencil illustrations are full of attention-grabbing slapstick humor. Chester reads as White; secondary characters have a range of skin tones. (The review was updated for accuracy.)
Get ready for wordplay that’s giggly and fun and lasts long after the story is…over, alas. (Picture book. 3-6)Pub Date: March 15, 2022
ISBN: 978-0-7595-5482-5
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
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by Scott Rothman ; illustrated by Avery Monsen
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by Avery Monsen ; illustrated by Avery Monsen
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt & illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Mike Lowery
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by Drew Daywalt ; illustrated by Alex Willmore
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SEEN & HEARD
SEEN & HEARD
by Michael Whaite ; illustrated by Michael Whaite ‧ RELEASE DATE: April 2, 2019
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Michael Whaite ; illustrated by Michael Whaite
BOOK REVIEW
by Michael Whaite ; illustrated by Michael Whaite
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