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CHILDREN OF EVER AFTER

A tender, heartbreaking, and exceptionally intelligent study of contemporary motherhood in all its complexity.

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In Yearwood’s novel, two women’s lives are changed by very different experiences of motherhood.

Rebecca and her husband—both distinguished professors at the University of Pennsylvania—live a life of elegant dinner parties thrown in their three-story Victorian home, but something is missing: a child. While staring at the condoms Will insists on using (meant for “prom nights…not for a woman in her late thirties,” she thinks bitterly), Rebecca decides to leave Will and become a parent on her own. As Rebecca researches designer sperm and adoption, across town, a young pregnant woman named Brittney is struggling to raise her two toddlers. After her irresponsible husband leaves her, Brittney is plunged into a nightmarish world of childcare woes, dead-end jobs, and a schedule so punishing she can’t find time to do the dishes. No matter how hard Brittney tries, it becomes clear—especially to theDepartment of Human Services—that she will not be able to raise her three children on her own. At the same time, Rebecca decides to pursue foster care as a way for an “older, single” woman to care for a child. Soon, these two very different women find their lives intersecting over the fate of Brittney’s three children as they are forced to confront their perceptions of one another and what it means to be a mother. Yearwood’s gift for characterization has readers rooting for both Rebecca and Brittney from the moments they are introduced. When the novel’s structure turns them against one another, situating them on opposing sides of a cold bureaucracy, it’s more than a clever twist—it’s a gut-wrenching experience. “You can’t just buy my children,” Britney thinks when she meets Rebecca for the first time in one of the story’s many well-observed instances in which economic tensions bubble under the surface (Brittney can barely get to the hospital to give birth while Rebecca quickly resolves the baby’s crying with a visit to a competent but expensive pediatrician). Through even the saddest and most difficult passages, Yearwood’s dry wit and literary style will keep readers engrossed, fascinated by the complex, beautiful women she has created.

A tender, heartbreaking, and exceptionally intelligent study of contemporary motherhood in all its complexity.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Sept. 14, 2024

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  • New York Times Bestseller

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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  • New York Times Bestseller

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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HERE ONE MOMENT

A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.

What would you do if you knew when you were going to die?

In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).

A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.

Pub Date: Sept. 10, 2024

ISBN: 9780593798607

Page Count: 512

Publisher: Crown

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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