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THE WINDING

TIME CORRECTOR SERIES BOOK 1

From the Time Corrector Series series , Vol. 1

An engaging SF tale whose cause-effect plotline takes a licking and keeps on ticking.

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In this debut SF novel, an academic/inventor struggles through decades of losing, regaining, and losing the loves of his life due to a mysterious phenomenon.

Datta’s tale envisions an Earth suffering rare but disruptive “time turbulence” events. As a brilliant youngster in 1990s America, Vincent Abajian is orphaned, bullied, and becomes an outcast at school. He finds solace with Akane Egami, a Japanese Dutch classmate and music prodigy. But this incipient love of his life disappears into a sudden time turbulence in 1991. By 2024, still obsessed with Akane and what-ifs, Abajian is in the forefront of artificial intelligence and robotics advancements, leading a university research team. He finds patronage in superrich Philip Nardin, who holds the patent for intreton, “an element absent from the periodic table,” which seems somehow tied to time itself. After the two men bond over a shared fascination with high-end watches, Nardin takes Abajian into his confidence, hiring the scientist to write his biography. Nardin has survived multiple time turbulences, emerging with insights into future and parallel timelines—which is vital, first because corrupt congressmen and military-industrial lobbyists seek to exploit and weaponize intreton. And second, because Abajian meets Emika Amari, a young, postdoctoral scientist and violinist attracted to him. Emika seems a parallel-universe incarnation of Akane, and, thus, Abajian’s true love and happiness reborn. But Emika can also be petulant, jealous, and flighty. Who is she really, and what is Abajian’s destiny in love and intrigue? Readers may find the leapfrogging, back-and-forth narrative chronology a bit turbulent itself. Datta’s formidable mainsprings of deep thought, causality, horology, music, and shameless romanticism help set up this first installment of an SF series. It is not a time-travel novel that trades in pulp thrills and fighting Morlocks (despite political shenanigans). The book is closer to Audrey Niffenegger’s The Time Traveler’s Wife (2003) in dealing with matters of the heart. But just when readers might have the plot strands all decoded, a concluding twist and a surreal-vision finale turn the storyline into a dense, snarled mesh of gears and escapements. The knotty narrative is captivating in stretches, but the engineering of Doctor Who’s Time and Relative Dimensions in Space is more easily grasped.

An engaging SF tale whose cause-effect plotline takes a licking and keeps on ticking.

Pub Date: Feb. 1, 2022

ISBN: 978-1-64704-391-9

Page Count: 322

Publisher: Bublish, Incorporated

Review Posted Online: Dec. 28, 2021

Kirkus Reviews Issue: Feb. 15, 2022

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THE MINISTRY OF TIME

This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.

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A time-toying spy romance that’s truly a thriller.

In the author’s note following the moving conclusion of her gripping, gleefully delicious debut novel, Bradley explains how she gathered historical facts about Lt. Graham Gore, a real-life Victorian naval officer and polar explorer, then “extrapolated a great deal” about him to come up with one of her main characters, a curly-haired, chain-smoking, devastatingly charming dreamboat who has been transported through time. Having also found inspiration in the sole extant daguerreotype of Gore, showing him to have been “a very attractive man,” Bradley wrote the earliest draft of the book for a cluster of friends who were similarly passionate about polar explorers. Her finished novel—taut, artfully unspooled, and vividly written—retains the kind of insouciant joy and intimacy you might expect from a book with those origins. It’s also breathtakingly sexy. The time-toggling plot focuses on the plight of a British civil servant who takes a high-paying job on a secret mission, working as a “bridge” to help time-traveling “expats” resettle in 21st-century London—and who falls hard for her charge, the aforementioned Commander Gore. Drama, intrigue, and romance ensue. And while this quasi-futuristic tale of time and tenderness never seems to take itself too seriously, it also offers a meaningful, nuanced perspective on the challenges we face, the choices we make, and the way we live and love today.

This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.

Pub Date: May 7, 2024

ISBN: 9781668045145

Page Count: 352

Publisher: Avid Reader Press

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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WAYWARD

IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.

The world as we know it ended in Wanderers, Wendig’s 2019 bestseller. Now what?

A sequel to a pandemic novel written during an actual pandemic sounds pretty intense, and this one doesn’t disappoint, heightened by its author’s deft narrative skills, killer cliffhangers, and a not inconsiderable amount of bloodletting. To recap: A plague called White Mask decimated humanity, with a relative handful saved by a powerful AI called Black Swan that herded this hypnotized flock to Ouray, Colorado. Among the survivors are Benji Ray, a scientist formerly with the Centers for Disease Control and Prevention; Shana Stewart, who is pregnant and the reluctant custodian of the evolving AI (via nanobots, natch); Sheriff Marcy Reyes; and pastor Matthew Bird. In Middle America, President Ed Creel, a murdering, bigoted, bullying Trump clone, raises his own army of scumbags to fight what remains of the culture wars. When Black Swan kidnaps Shana’s child, she and Benji set off on another cross-country quest to find a way to save him. On their way to CDC headquarters, they pick up hilariously foulmouthed rock god Pete Corley, back from delivering Willie Nelson’s guitar to the Rock & Roll Hall of Fame. This novel is an overflowing font of treasures peppered with more than a few pointed barbs for any Christofacists or Nazis who might have wandered in by accident. Where Wanderers was about flight in the face of menace, this is an old-fashioned quest with a small band of noble heroes trying to save the world while a would-be tyrant gathers his forces. All those big beats, not least a cataclysmic showdown in Atlanta, are tempered by the book’s more intimate struggles, from Shana’s primal instinct to recover her boy to the grief Pete buries beneath levity to Matthew Bird’s near-constant grapple with guilt. It’s a lot to take in, but Pete’s ribald, bombastic humor as well as funny interstitials and epigraphs temper the horror within.

IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.

Pub Date: Nov. 15, 2022

ISBN: 978-0-593-15877-7

Page Count: 816

Publisher: Del Rey

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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