An engaging SF tale whose cause-effect plotline takes a licking and keeps on ticking.
In this debut SF novel, an academic/inventor struggles through decades of losing, regaining, and losing the loves of his life due to a mysterious phenomenon.
Datta’s tale envisions an Earth suffering rare but disruptive “time turbulence” events. As a brilliant youngster in 1990s America, Vincent Abajian is orphaned, bullied, and becomes an outcast at school. He finds solace with Akane Egami, a Japanese Dutch classmate and music prodigy. But this incipient love of his life disappears into a sudden time turbulence in 1991. By 2024, still obsessed with Akane and what-ifs, Abajian is in the forefront of artificial intelligence and robotics advancements, leading a university research team. He finds patronage in superrich Philip Nardin, who holds the patent for intreton, “an element absent from the periodic table,” which seems somehow tied to time itself. After the two men bond over a shared fascination with high-end watches, Nardin takes Abajian into his confidence, hiring the scientist to write his biography. Nardin has survived multiple time turbulences, emerging with insights into future and parallel timelines—which is vital, first because corrupt congressmen and military-industrial lobbyists seek to exploit and weaponize intreton. And second, because Abajian meets Emika Amari, a young, postdoctoral scientist and violinist attracted to him. Emika seems a parallel-universe incarnation of Akane, and, thus, Abajian’s true love and happiness reborn. But Emika can also be petulant, jealous, and flighty. Who is she really, and what is Abajian’s destiny in love and intrigue? Readers may find the leapfrogging, back-and-forth narrative chronology a bit turbulent itself. Datta’s formidable mainsprings of deep thought, causality, horology, music, and shameless romanticism help set up this first installment of an SF series. It is not a time-travel novel that trades in pulp thrills and fighting Morlocks (despite political shenanigans). The book is closer to Audrey Niffenegger’s The Time Traveler’s Wife (2003) in dealing with matters of the heart. But just when readers might have the plot strands all decoded, a concluding twist and a surreal-vision finale turn the storyline into a dense, snarled mesh of gears and escapements. The knotty narrative is captivating in stretches, but the engineering of Doctor Who’s Time and Relative Dimensions in Space is more easily grasped.
An engaging SF tale whose cause-effect plotline takes a licking and keeps on ticking.Pub Date: Feb. 1, 2022
ISBN: 978-1-64704-391-9
Page Count: 322
Publisher: Bublish, Incorporated
Review Posted Online: Dec. 28, 2021
Kirkus Reviews Issue: Feb. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.
The world as we know it ended in Wanderers, Wendig’s 2019 bestseller. Now what?
A sequel to a pandemic novel written during an actual pandemic sounds pretty intense, and this one doesn’t disappoint, heightened by its author’s deft narrative skills, killer cliffhangers, and a not inconsiderable amount of bloodletting. To recap: A plague called White Mask decimated humanity, with a relative handful saved by a powerful AI called Black Swan that herded this hypnotized flock to Ouray, Colorado. Among the survivors are Benji Ray, a scientist formerly with the Centers for Disease Control and Prevention; Shana Stewart, who is pregnant and the reluctant custodian of the evolving AI (via nanobots, natch); Sheriff Marcy Reyes; and pastor Matthew Bird. In Middle America, President Ed Creel, a murdering, bigoted, bullying Trump clone, raises his own army of scumbags to fight what remains of the culture wars. When Black Swan kidnaps Shana’s child, she and Benji set off on another cross-country quest to find a way to save him. On their way to CDC headquarters, they pick up hilariously foulmouthed rock god Pete Corley, back from delivering Willie Nelson’s guitar to the Rock & Roll Hall of Fame. This novel is an overflowing font of treasures peppered with more than a few pointed barbs for any Christofacists or Nazis who might have wandered in by accident. Where Wanderers was about flight in the face of menace, this is an old-fashioned quest with a small band of noble heroes trying to save the world while a would-be tyrant gathers his forces. All those big beats, not least a cataclysmic showdown in Atlanta, are tempered by the book’s more intimate struggles, from Shana’s primal instinct to recover her boy to the grief Pete buries beneath levity to Matthew Bird’s near-constant grapple with guilt. It’s a lot to take in, but Pete’s ribald, bombastic humor as well as funny interstitials and epigraphs temper the horror within.
IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.Pub Date: Nov. 15, 2022
ISBN: 978-0-593-15877-7
Page Count: 816
Publisher: Del Rey
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Smart, funny, humane, and superbly well-written.
A post-apocalyptic—and pre-apocalyptic—debut.
It’s 2011, if not quite the 2011 you remember. Candace Chen is a millennial living in Manhattan. She doesn’t love her job as a production assistant—she helps publishers make specialty Bibles—but it’s a steady paycheck. Her boyfriend wants to leave the city and his own mindless job. She doesn’t go with him, so she’s in the city when Shen Fever strikes. Victims don’t die immediately. Instead, they slide into a mechanical existence in which they repeat the same mundane actions over and over. These zombies aren’t out hunting humans; instead, they perform a single habit from life until their bodies fall apart. Retail workers fold and refold T-shirts. Women set the table for dinner over and over again. A handful of people seem to be immune, though, and Candace joins a group of survivors. The connection between existence before the End and during the time that comes after is not hard to see. The fevered aren’t all that different from the factory workers who produce Bibles for Candace’s company. Indeed, one of the projects she works on almost falls apart because it proves hard to source cheap semiprecious stones; Candace is only able to complete the contract because she finds a Chinese company that doesn’t mind too much if its workers die from lung disease. This is a biting indictment of late-stage capitalism and a chilling vision of what comes after, but that doesn’t mean it’s a Marxist screed or a dry Hobbesian thought experiment. This is Ma’s first novel, but her fiction has appeared in distinguished journals, and she won a prize for a chapter of this book. She knows her craft, and it shows. Candace is great, a wonderful mix of vulnerability, wry humor, and steely strength. She’s sufficiently self-aware to see the parallels between her life before the End and the pathology of Shen Fever. Ma also offers lovely meditations on memory and the immigrant experience.
Smart, funny, humane, and superbly well-written.Pub Date: Aug. 14, 2018
ISBN: 978-0-374-26159-7
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
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