A strong-willed young woman pursues her educational dreams in this Andy Hardy–esque tale of a rural school in peril, circa 1925. When Miss Fletcher’s mother’s illness calls her away from her teaching position at a one-room Colorado schoolhouse, the school board president is transparent in his pleasure at the prospect of closing the school. Fourteen-year-old Ida Bidson is not—closing the school will mean missing the exams that would qualify her to go on to high school, effectively dashing her hopes of becoming a teacher. But all is not lost: the students vote to continue secretly, with Ida as their teacher. While the plot is entirely predictable—the mean school board president finds them out and tries to shut the school down, only to be defeated in a climactic public meeting—the characters are well-developed and appealing. Ida is a diminutive spitfire who steers the family’s broken-down car while her little brother crouches on the floor to operate the gas and the clutch; her best friend Tom is a tinkerer whose home printing press saves the day; and even the most obstructive student in school is rendered sympathetically and with depth. Avi (Prairie School, p. 494, etc.) effectively conveys Ida’s difficulty in balancing her new role as teacher within her already busy life as student, family member (and therefore helper on the family’s sheep farm), and friend, and the details of one-room education are genuinely fascinating. This isn’t heavy stuff, but it gives a glimpse into a past where, although the form of education may have been very different from today’s, the problems facing the schools and students will be all too familiar to modern readers. (Fiction. 8-12)
Pub Date: Sept. 1, 2001
ISBN: 0-15-216375-1
Page Count: 160
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2001
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A variety show brimming with esoteric and practical information.
Two youngsters embark on a journey peppered with history, trivia, and skits while teaching money lessons.
Meet Mellody and John, the young stars of this currency showcase. Their very first dialogue offers a taste of the intriguing information to come, from the ancient Mayans’ use of cacao beans as payment to the origins of the piggy bank. The book offers a chronologically and geographically broad timeline of the history of money, encompassing the past 3.9 billion years (starting with meteorite crashes that scattered metals—“the very first bank deposit”) and referencing practices across five continents. Readers will find themselves eagerly sharing the facts gleaned here, including the centuries-old origins of terms and expressions still used today. Mellody and John’s fun banter crucially reflects their experiences with money, such as their families’ differing attitudes toward allowances. Both are savers as well as givers, sharing stories about giving to charity. In one especially entertaining section, a cat and a bunny converse in money-related catchphrases that are separately defined at the bottom of each page. Stevens’ watercolors are appropriately realistic and appealing, whether depicting Mellody’s pretend bank or Elizabeth II’s butler ironing a 10-pound note. Messages about money’s use as a means to an end, rather than an end in itself, ensure that readers will think about their own purposes for their savings. Mellody and John are Black.
A variety show brimming with esoteric and practical information. (index) (Nonfiction. 8-12)Pub Date: Oct. 1, 2024
ISBN: 9781536224719
Page Count: 80
Publisher: Candlewick
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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