A thoughtful, provocative novel that artfully examines political obstacles to Jewish spirituality.
A fictional investigation of Jewish identity that tracks the parallel efforts of two men to live as Jews in an inhospitable world.
This is Avi-Hai’s (Danger: Three Jewish Peoples, 1997, etc.) first novel. His other books were nonfiction analyses of Jewish theological and political affairs. A Canadian-born journalist who immigrated to Israel in 1952 and an Israeli civil servant, his life seems to have revolved around the historically nettlesome question of Jewish identity. The novel itself is really two novellas, each meant to mirror and illuminate the other. Both follow characters named Avraham. Like the author, the first Avraham is a Canadian-born journalist who immigrated to Israel out of solidarity with the Zionist cause. From the very beginning, Avraham finds himself in peril. He has stumbled upon rampant corruption among the ultra-Orthodox rabbi extremists, the very same rabbis who “sanctioned” Prime Minister Yitzhak Rabin’s assassination after he signed the Oslo Accords. These rabbinical ideologues are entangled in an embezzlement scheme, and Avraham has gathered enough evidence to prove it. Under threat of death, he flees to Greece, pays for an ersatz passport and makes his way to Italy. On his way, he is entrusted with a very old manuscript of undetermined provenance in order to determine its value and negotiate its sale. The manuscript turns out to be the story of another Avraham, an Italian writing circa 1600. As the shared names suggest, both narrators experience morally comparable challenges, attempting to maintain their Jewishness in the face of relentless persecution. The Renaissance Avraham runs from the Inquisition. The prose sometimes slides into the melodramatic, but the story remains a philosophically serious engagement with a historically significant theme: the tension between Judaism and a modern world “infected with ideological viruses.”
A thoughtful, provocative novel that artfully examines political obstacles to Jewish spirituality.Pub Date: July 24, 2013
ISBN: 978-0989416900
Page Count: 252
Publisher: Appletree Publishing
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Nov. 1, 2013
Review Program: Kirkus Indie
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.
A very funny novel about the survivor of a childhood trauma.
At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.Pub Date: May 9, 2017
ISBN: 978-0-7352-2068-3
Page Count: 336
Publisher: Pamela Dorman/Viking
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK TO SCREEN
This is the sort of book that stirs one so deeply that it is almost impossible to attempt to convey the impression it leaves. It is the story of today's Exodus, of America's great trek, as the hordes of dispossessed tenant farmers from the dust bowl turn their hopes to the promised land of California's fertile valleys. The story of one family, with the "hangers-on" that the great heart of extreme poverty sometimes collects, but in that story is symbolized the saga of a movement in which society is before the bar. What an indictment of a system — what an indictment of want and poverty in the land of plenty! There is flash after flash of unforgettable pictures, sharply etched with that restraint and power of pen that singles Steinbeck out from all his contemporaries. There is anger here, but it is a deep and disciplined passion, of a man who speaks out of the mind and heart of his knowledge of a people. One feels in reading that so they must think and feel and speak and live. It is an unresolved picture, a record of history still in the making. Not a book for casual reading. Not a book for unregenerate conservative. But a book for everyone whose social conscience is astir — or who is willing to face facts about a segment of American life which is and which must be recognized. Steinbeck is coming into his own. A new and full length novel from his pen is news. Publishers backing with advertising, promotion aids, posters, etc. Sure to be one of the big books of the Spring. First edition limited to half of advance as of March 1st. One half of dealer's orders to be filled with firsts.
Pub Date: April 14, 1939
ISBN: 0143039431
Page Count: 532
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: April 1, 1939
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