A wondrous book of tales of lost worlds.
The best of Yiddish poet Sutzkever’s short stories, made available in English for the first time.
Avrom Sutzkever (1913-2010) is a giant of Yiddish poetry. He was an accomplished author who survived the Vilna ghetto and service in the Lithuanian resistance during World War II to become a major figure in Israel’s revival of Yiddish literature. He increasingly turned to prose in his later years as a means of grappling with his grief over the Holocaust. In the first story here, “Green Aquarium,” the narrator finds himself perched atop the titular structure, as all the dead people he’s ever known swim beneath him. In “The Gopherwood Box,” a man searching for a treasure in a war-ravaged city lowers himself into a well even though he can no longer remember where he first heard of the loot. The earlier stories are shorter and more enigmatic while later ones offer narratives that are more developed. “The Twin,” for example, recounts the tale of a man meeting a woman in Jaffa who tells him a terrible tale of defiance in one of the German death camps. A current of magical realism runs throughout the book as Sutzkever reaches for images appropriate for disruptive times. His skills as a poet are apparent in nearly every sentence, as translated by Berger, who gets across their richness and precision: “The fiery tail of the war was still dragging through the dead city, like a part of a giant prehistoric creature. The black sites of burned-out walls were besieged by clay clouds, as if the clouds were descending to rebuild the city.” It’s easy to see these stories, which use the surreal to understand the unreality of world events, on a continuum of fabulist Jewish writing that includes Franz Kafka and Bruno Schulz as well as contemporary storytellers, such as Etgar Keret and Nathan Englander. Those who are unfamiliar with Sutzkever—or, at least, unacquainted with his prose—will welcome this addition to the canon of experimental short fiction.
A wondrous book of tales of lost worlds.Pub Date: Dec. 1, 2020
ISBN: 978-1-73438-725-4
Page Count: 282
Publisher: White Goat Press
Review Posted Online: Jan. 4, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Review Program: Kirkus Indie
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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