An absorbing, enlightening book that exemplifies the power of good storytelling.
Everything changes for Dulce Garcia, perennial party girl and sugar baby, when she meets Zavier, a freelance journalist, on a plane to the Dominican Republic, then gets caught in Puerto Rico during Hurricane Maria.
Dulce, whose parents were Cuban and Dominican, was born in Puerto Rico and has bounced her whole life between the mainland U.S. and the Caribbean. After having been groomed into prostitution while she was in high school in New York—“Dulce always remembered how she was fourteen and wearing a Minnie Mouse t-shirt when she met Jerry,” her pimp—Dulce escaped with the help of Marisol Rivera, the former director of a New York health clinic, but she's soon under the thumb of another abusive boyfriend. Seeking refuge with an aunt in the Dominican Republic, she meets Zavier, a young freelance journalist, as well as Phillip Gerard, a rich businessman. A couple of dates with Zavier has her falling for him, but then Gerard lures her with a luxury hotel stay and a shopping spree, and she convinces herself she didn’t deserve a sweet relationship anyway. Dulce travels with Gerard to Puerto Rico and decides to stay there, then winds up stuck on the island when Maria hits. Meanwhile, Marisol’s Puerto Rican cousins are in dire straits after the hurricane takes out their home, and as they and Dulce make their ways to safety, their stories will converge. Dulce reconnects with Zavier, whose press credentials give her opportunities she never dreamed possible even as their relationship fractures, while her connection to Gerard is of great interest to Marisol, who targets him for a cryptocurrency sting after he raises money ostensibly to help the island but then uses it to acquire prime island property at rock-bottom prices. The fourth title in de León’s genre-bending Justice Hustlers series is a multifaceted tale. On one level, it's an entertaining feminist heist tale with a satisfying Robin Hood–style caper or two, but where the book truly shines is in spotlighting the challenges facing former sex workers and in angling an unflinching lens on the plight of Puerto Rico, both before and after the Maria disaster.
An absorbing, enlightening book that exemplifies the power of good storytelling.Pub Date: June 25, 2019
ISBN: 978-1-4967-1579-1
Page Count: 352
Publisher: Dafina/Kensington
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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