A passable heist novel with elements of romance and intersectional feminism.
A makeup artist finds herself involved in a massive fraud scandal after a case of wrong place, wrong time.
Sisters Violet and Lily couldn’t be more different. Violet left their small town in Trinidad as a young teen with a scholarship to a New England boarding school. From then on, she spent her time working to fit in as an American, to the point that now, as an adult, she's ready to marry into black American royalty. Lily, on the other hand, has all the things that could embarrass her sister: a stripper’s body and the job to go with it, an outspoken nature that has led to the formation of a strippers union, and an accent that can’t hide her foreignness. But Violet and Lily have to work together when an act of kindness leaves Violet the No. 1 suspect in a federal fraud case. With the help of several friends, including an old friend from Harvard who sparks new chemistry, Violet does what she has to do to get her name cleared. While the plot is compelling, de León (The Boss, 2017, etc.) prefers to bounce around in the timeline and between characters. This constant motion can take a reader out of the story, but the character development keeps things interesting. While the primary story involves an investigation and a minor heist that will feel familiar to readers of de León's Justice Hustlers series, the romantic elements may draw in new readers. The explicit sex is clinical and doesn’t always add to the progression of the story. The book has a satisfying ending, though, and should leave most readers interested in the next step for the stripper collective, if not for any of the romantic pairings.
A passable heist novel with elements of romance and intersectional feminism.Pub Date: May 29, 2018
ISBN: 978-1-4967-1576-0
Page Count: 352
Publisher: Dafina/Kensington
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
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