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WHAT IF WE GET IT RIGHT?

VISIONS OF CLIMATE FUTURES

An inspiring compilation of voices from the environmental justice movement.

Interviews with experts who are successfully combating climate change.

Marine biologist Johnson traces her love affair with the ocean to a family vacation in 1986, when her parents took her on a glass-bottom boat ride in Key West, Florida, where she got to marvel at what was left of the area’s coral reefs. Today, she is the founder of Urban Ocean Lab, “a policy think tank for the future of coastal cities.” Despite the fact that her job exposes her to some of the world’s worst environmental catastrophes, Johnson is also hungry for optimism, specifically, for proof that by working together people can mitigate the effects of climate change and undo the damage we’ve so carelessly caused. She writes, “We need something firm to aim for. Something with love and joy in it. And we need the gumption that emerges from an effervescent sense of possibility.” This desire for practical, joy-based approaches to climate change led Johnson to conduct a series of interviews with environmental activists, thinkers, and scientists who move conversations away from litanies of what we’ve done wrong and toward the question, “What if we get it right?” These wide-ranging interviews span issues ranging from artificial intelligence as a tool for preventing climate change to racial justice in homestead farming to divestment as a means of redirecting capital away from fossil fuels and toward sustainable solutions. In addition to asking perspicacious questions and curating a diverse and brilliant set of voices, Johnson leads us through the material with a witty, brainy frankness that renders this often dense, potentially depressing material into an exuberantly hopeful read.

An inspiring compilation of voices from the environmental justice movement.

Pub Date: Sept. 17, 2024

ISBN: 9780593229361

Page Count: 400

Publisher: One World/Random House

Review Posted Online: June 28, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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WAR

An engrossing and ominous chronicle, told by a master of the form.

Documenting perilous times.

In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”

An engrossing and ominous chronicle, told by a master of the form.

Pub Date: Oct. 15, 2024

ISBN: 9781668052273

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: Oct. 15, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE MESSAGE

A revelatory meditation on shattering journeys.

Bearing witness to oppression.

Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”

A revelatory meditation on shattering journeys.

Pub Date: Oct. 1, 2024

ISBN: 9780593230381

Page Count: 176

Publisher: One World/Random House

Review Posted Online: Aug. 2, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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