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THE TWELVE TRIBES OF HATTIE

An excellent debut that finds layers of pathos within a troubled clan.

The legacy of the Great Migration from the 1920s to the 1980s infuses this cutting, emotional collection of linked stories.

The central figure of Mathis’ debut is Hattie, who arrived in Philadelphia in the 1920s as a teenager, awed by the everyday freedoms afforded blacks outside of her native Georgia. But the opening story, “Philadelphia and Jubilee,” is pure heartbreak, as pride and poverty keep her from saving her infant twin children from pneumonia. Though Mathis has inherited some of Alice Walker’s sentimentality and Toni Morrison’s poetic intonation, her own prose is appealingly earthbound and plainspoken, and the book’s structure is ingenious: It moves across the bulk of the 20th century, with each chapter spotlighting one of Hattie’s nine surviving children. (The title’s “twelve tribes” are those nine children, plus the infant twins and a granddaughter who’s central to the closing story.) Each child's personal struggle is a function of the casual bigotry and economic challenges in the wake of Jim Crow. Floyd is a jazz trumpeter and serial philanderer who awakens to his homosexuality; Six is a tent-revival preacher who comes at his profession cynically, as a way to escape his family; Alice is the well-off wife of a doctor with a co-dependent relationship with her brother, Billups; and so on. The longest and most disarming story features Bell, who in 1975 starts a relationship with one of Hattie’s former boyfriends, highlighting the themes of illness and oppressiveness of family. Mathis will occasionally oversimplify dialogue to build drama, but she’s remarkably deft at many more things for a first-timer: She gracefully shifts her narratives back and forth in time; has an eye for simple but resonant details; and possesses a generous empathy for Hattie, who is unlikable on the surface but carries plenty of complexity.

An excellent debut that finds layers of pathos within a troubled clan.

Pub Date: Jan. 15, 2013

ISBN: 978-0-385-35028-0

Page Count: 256

Publisher: Knopf

Review Posted Online: Oct. 10, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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