A timely, well-crafted tale, imbued with cultural and personal sorrow.
A family’s tangled past comes to light.
In her debut novel, Israeli Canadian memoirist and short story writer Tsabari gently unfolds two narratives: one about young Yaqub and Saida, who fall in love in an Israeli camp for Yemeni immigrants in 1950; the other about Zohara Haddad, a graduate student, newly divorced, who returns to Israel from New York in 1995 after her mother, Saida, dies. The teenage Yemeni lovers are ill-fated: Saida is married with a child, and when her husband discovers the relationship, Yaqub is forced to flee. A few months later, Saida suffers an even more devastating loss. Forced to place her tiny son in the camp’s nursery, she cannot find him one day when she goes to breastfeed. Although she’s told that the child became ill and died, Saida, for the rest of her life, nurses the hope of finding the baby, whom she’s certain was put up for adoption. Zohara discovers the complexities of her parents’ lives when she cleans out her mother’s house: Tapes of her mother singing unfamiliar love songs, a mysterious photograph, and stories written in someone else’s hand all reveal long-hidden secrets. Tsabari sets Zohara’s story in the context of the social and political unrest that has long vexed Israel and Palestine. The Oslo Accords have just been signed, inciting ferocious protests. Tensions flare between Ashkenazi Jews and Yemeni Jews, and stereotypes and superstitions abound. “Maybe,” Zohara thinks, “Israeli anger was also a manifestation of helplessness, of grief. This was a nation of migrants, exiles and survivors, people who fled from genocide and persecution only to arrive at this place where wars never end….” With Zohara as a central character, Tsabari examines the effect of loss on a woman struggling to define herself as a Jew, a scholar, and an Israeli.
A timely, well-crafted tale, imbued with cultural and personal sorrow.Pub Date: Sept. 10, 2024
ISBN: 9780812989007
Page Count: 352
Publisher: Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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