THE CENTRE

An aspiring literary translator attends a mysterious language school in the hopes of advancing her career only to discover the institution harbors a dark secret.

Londoner Anisa Ellahi was born and raised in Pakistan but moved to England for college. Nearly two decades on, she subtitles Bollywood films for a living but dreams of parlaying her linguistic skills into more stimulating, meaningful work. When she meets future boyfriend Adam at a translation studies conference, she is captivated by his savantlike ability to speak nearly a dozen languages, including Mandarin, Italian, Russian, and Japanese. They soon move in together, adopt a kitten, and begin considering marriage. Despite Anisa’s best attempts, however, Adam is strangely incapable of mastering even basic phrases in her mother tongue, Urdu. During a trip to Anisa’s home city of Karachi, a dispute forces Adam to come clean. He’s no wunderkind. He has taken courses at an elite, enigmatic school known as the Centre that promises total fluency in any language within 10 days, for a hefty fee, of course: $20,000. More than willing to cough up the money for a chance at realizing her ambitions, Anisa persuades Adam to recommend her for the program. When Anisa arrives at the Centre after an exhaustive application process, she finds a secluded retreat that follows a strict schedule and forbids almost all social contact in the service of achieving optimal results. Her efforts to find out more about the school eventually turn up disturbing truths about the Centre’s methodology and jeopardize her close relationship with a staff member. Filled with astute insights into life as a brown person in a predominantly White country and how differences of class, religion, and nationality can bring about rifts in solidarity between people who share a racial or ethnic background, the novel offers a mystery rife with social critique, though it could have done more to scrutinize Anisa’s own sources of privilege, particularly in relation to Adam.

A fast-paced thriller with its finger firmly on the pulse of contemporary social discourse.