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ONE DOLLAR (AMERICAN) TUTOR

A thoughtful memoir brimming with marvelous anecdotes.

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Burns retells his father’s remembrance of his first year at Boston University in 1947 and the two extraordinary foreign students he roomed with.

Bernard J. Burns—much to his chagrin, he was eternally called Buddy—was born in 1929, a “veritable Depression baby”; the gloomy time hung over his entire childhood like a storm cloud. When he matriculated at Boston University in 1947, admitted on an academic scholarship, he was given an opportunity to begin anew—to refashion himself and attempt to convince people to refer to him as anything other than Buddy. In addition to the daunting nature of the big city (Buddy grew up in Worcester), he was surrounded by older students, veterans of the war, and men who had killed other men in combat; it was an intimidating experience for a 17-year-old boy of provincial origins, a predicament thoughtfully rendered by the author, Buddy’s son. Buddy was fortunate enough to make good friends with two of his roommates, both foreigners, and years later he regaled his son with the fascinating stories of their exploits. Pong Sarisin hailed from Thailand, born into one of the most prominent families in the country (the “Kennedys of Thailand”). His father was the nation’s secretary of state at the time, and his fiancee was the daughter of the prime minister. Fernando Uribe Senior was born in Medellin, Colombia, and his father, Eduardo, founded the newspaper El Diario, a liberal publication that agitated for reform. Buddy’s time with his two foreign friends supplied the kind of education a university curriculum never could—at one point, Pong took him to meet a prince, who turned out to be Prince Bhumibol Adulyadej, the grandson of King Chulalongkorn, “who spent four decades modernizing Siam.”

Burns’ recounting of his father’s stories can be a bit long-winded and personally idiosyncratic—as he admits, these are reports of “an old man’s recollections of life as he knew it,” and they often read precisely as such, even though they are gently dramatized. Still, he intelligently captures a pivotal time in the history of the university, in which it was flooded by soldiers cashing in their GI Bills and changing the landscape of collegiate life forever. Pong and “Ferdie,” as Buddy called him, are two utterly captivating characters, excitingly exotic to Buddy at the time and both caught up in the political tumult of their nations in a way Buddy was not. (Pong’s father led an uprising against the prime minister, and disappeared for a time in the chaos.) Ferdie would become a prominent politician in Colombia and was eventually assassinated by the drug cartels he refused to bow down to. What emerges from this personal narrative is a powerful demonstration of the fact that the immigrants who come to America to work and to live are more often than not motivated by the same aspirations as their native-born counterparts, and often bring with them far more experience and maturity than their new countrymen. “Some, like Pong and Ferdie, are sent here from families that are truly prominent in their necks of the woods, and the American education will enable them to return to pick up the banners and run with them,” Burns writes. “They sit fearlessly in the crosshairs of history.” This is a captivating remembrance, packed with historical and cultural insight.

A thoughtful memoir brimming with marvelous anecdotes.

Pub Date: Sept. 6, 2024

ISBN: 9798338522271

Page Count: 220

Publisher: Self

Review Posted Online: Nov. 5, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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