by B. Porter Briggs ‧ RELEASE DATE: N/A
A personal and affecting remembrance that raises provocative questions about the consequences of the sexual revolution.
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Briggs recalls the time he spent in Germany during the 1960s as a soldier in the United States Army and his subsequent search for the child he gave up for adoption there in this memoir.
After he graduated from the University of Arkansas in 1962, the author enlisted in the U.S. Army, eager to fight the looming menace of communism in Europe. Candidly, he admits he was also in pursuit of adventure and pretty women. Stationed just outside Mannheim, Germany, the author became close friends with a group of English-speaking Scandinavian students attending the University of Heidelberg and impregnated a Swedish woman named Mia, whom he barely knew. A deeply conservative woman, Mia wanted to keep the baby, but Briggs was not interested in settling down and persuaded her to give the boy up for adoption in Zurich. At that time, in his early 20s, the author admits to leading a shallow emotional life as the result of his mother’s alcoholism, a condition which killed her. In moving, thoughtful terms, he captures his wounded barrenness: “I could feel carnal concupiscence but not the emotion of romantic love. I had no inkling I had been crippled. But from that moment I said I had to stop crying, I was handicapped. Damaged. Limited. Everything seemed as it was before.” 24 years later, in 1988, he returned to Zurich in search of the boy and, with the help of a local attorney, was able to track him down—but his son was unwilling to meet him. In 2012, as a 72-year-old man, Briggs made one last attempt to make contact with his son and succeeded, beginning a relationship with Tobias Diener and his family, a remarkable denouement to years of guilt and longing on the author’s part.
Briggs paints a lively picture of Europe in the 1960s, depicting a continent still reeling from the catastrophe of World War II and beleaguered by the encroaching Cold War but also enlivened by the sexual revolution and the emancipatory promises of modernity: “Things were different. We began to want it all and want it now. It was not important any longer to be responsible. After all, we were only having fun, we said to ourselves. Besides, everybody was doing it. The bikinis. The pill. The music. Playboy. The books.” However, he came to regret not only the indulgent excesses of the age, but its moral licentiousness as well, and in his 50s he turned to Christianity for solace and guidance. Briggs led an eventful and fascinating life—he discovered a world of art and culture studying at the University of Heidelberg after he left the Army and became a very successful businessman after returning to the United States. He even served as a White House Fellow during the presidency of Gerald Ford. But the heart of this memoir is the author’s search for his son, a mission motivated by love and a need for redemption, expressed in exceedingly intelligent terms here. This is a touching memoir, personally candid and philosophically reflective.
A personal and affecting remembrance that raises provocative questions about the consequences of the sexual revolution.Pub Date: N/A
ISBN: N/A
Page Count: 169
Publisher: Manuscript
Review Posted Online: March 28, 2023
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
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New York Times Bestseller
by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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