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OROMAY

An exemplary anti-war novel from a little-known theater of conflict.

Searing novel of war by dissident Ethiopian writer Girma.

Part spy thriller, part melodrama, roman à clef through and through, Girma’s story centers on a moment of Ethiopian history that, in that demographically young country, is all but forgotten. It is the early 1980s, and Ethiopia, under a Marxist military dictatorship, has set out to conquer neighboring Eritrea. “Every day another campaign of some sort,” complains his fiancee, Roman, to a propaganda officer named Tsegaye Hailemaryam. “Now the Red Star Campaign to fix the Eritrean problem. We are addicted to campaigns, but I can’t wait until we can be done with them.” Caught up in the excitement of certain victory, Tsegaye jumps at the chance to go to the front, exalting the invading forces and excoriating the Eritrean resistance, which he depicts as terrorists. The soldiers in Girma’s narrative are pawns, but the officers are well-rounded: One general is so militarily perfect that “even his Afro, though thinning, has sharp edges,” while a schoolmate of Tsegaye’s, Colonel Wolday Tariku, can’t wait to fight: “Give Wolday a drink and a rifle and he is a happy man.” As Roman foresees, Tsegaye forgets his vows to her and falls in love with an Eritrean beauty and Mata Hari named Fiammetta Gilay. Girma’s writing is most immediate in the slaughterhouse of battle, which is not for the squeamish: “A decapitated torso with blood pumping from where a neck once was....A bullet-ridden corpse with an open mouth and unblinking eyes staring up at the red sky.” As the tautly written story resolves, failure, death, and disillusionment are its constants. It’s worth noting that, although the Marxist regime tried to suppress it, Girma’s novel was an underground bestseller in Ethiopia in the early 1980s—and for his criticisms of that regime, Girma paid with his life.

An exemplary anti-war novel from a little-known theater of conflict.

Pub Date: Feb. 4, 2025

ISBN: 9781641296663

Page Count: 408

Publisher: Soho

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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