A quirky addition to the afraid-of-the-dark shelf.
Baby animals learn to overcome their nighttime fears.
Whenever night falls in the Black Mushroom Forest, all the baby animals cry out and cower in fear. One day, an elephant arrives at the forest. Awu “[isn’t] a typical elephant” or, indeed, a typical forest creature. Unlike the other animals, Awu looks forward to the nighttime, when he can “open his mouth big and wide and swallow the dark nights.” Seeking a way to allay the children’s fears, Bear Cub’s mother enlists Awu’s help. One by one, Awu visits the children of the forest and eats away the dark. Sun shining, “they danced and cheered”—but quickly realize the trouble when it is “always bright as day.” With yawns and exhaustion comes an appreciation for balance and an understanding of the promise of a new day. Bold typographic design sets dialogue and onomatopoeic words apart on the page from the main narrative. Occasionally, the text design mimics the text—a sentence curls in on itself just like “Baby Porcupine [who] would cling to his mother’s side and shrink into a little ball.” Recurring swirls and curves visually draw readers’ eyes, and details such as constellationlike diagrams peppered throughout Li’s artwork add to the whimsy of Bai’s bedtime story.
A quirky addition to the afraid-of-the-dark shelf. (Picture book. 3-7)Pub Date: April 30, 2020
ISBN: 978-1-4788-6850-7
Page Count: 48
Publisher: Reycraft Books
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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