Kerr grabs the brass ring in this first novel about a medical malpractice suit that takes every turn you can imagine, and some you can’t. “MALPRA’CTICA NO MA’S,” Peter Moss promises himself obsessively after his half-year escape from his Boulder partnership to Costa Rica. But try as he might, he can’t walk away from Terry Winter’s suit against Dr. Wallace Bondurant. It isn’t just that her trusted family physician continued to treat Terry and her daughter Emmy for three years without ever recommending treatment for the lump Terry had noticed in her breast; Moss is still smarting from his failure to get a judgment against Bondurant in an earlier lawsuit. Despite Bondurant’s status as president of the Colorado Medical Association—a position his victory over Moss had vaulted him into—the gurus at Moss’s firm green-light the suit, and it certainly looks like a winner. Moss locates a family doctor who’s happy to say that Bondurant’s oversight didn’t meet reasonable standards of care; Terry’s oncologist offers to testify; and there’s even evidence that Bondurant doctored his case notes years after the fact. So it’s no wonder the defense is pressing for a quick settlement. As everything’s falling into place, though, everything else is falling apart. Terry has come across on deposition as careless and irresponsible (“I want to ’surf the flow—,” she tells Moss); her estranged husband comes out of nowhere to jeopardize the case; free-spirited Terry disappears into the Mexican hinterlands; and Bondurant’s smirking attorney turns out to have a few trumps of his own. As in the best legal melodramas, the back-and-forth in the courtroom is so agile and relentless that it’s hard to predict which side will get the best of any given witness. And through it all, Moss, prodded by Terry’s hard-won fatalism, begins to wonder just what it is that he’s hoping to get out of the case. Kerr delivers exactly what legal-intrigue fans crave: crackling suspense up top, compelling moral problems floating beneath the surface with an iceberg’s menace.
Pub Date: April 15, 1999
ISBN: 0-684-85413-9
Page Count: 368
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2000
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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