A simplistic take on the complex issue of Black identity in America.
A Black man teaches two Black children about their roots.
“Who are your people?” and “Where are you from?” These questions open the book as a man leads an unnamed boy and girl, presumably his children, into “Remembrance Park,” where they gaze up at Muhammad Ali, Maya Angelou, Stacey Abrams, and Martin Luther King Jr., who appear as cloudy apparitions in the sky. This imagery gives the misleading impression that Abrams, very much alive, is in heaven with the other figures, who are all deceased. Later on in the story, another potentially delusive illustration shows the main characters visiting a Mount Rushmore–like monument showcasing Kamala Harris alongside departed Black icons. After highlighting inspirational individuals who are not descended from people enslaved in the United States, the illustrations paradoxically depict enslaved Black Americans working in cotton fields. The portrayal of slavery is benevolent, and the images of civil rights marches and sit-ins likewise lack the necessary emotional depth. The text’s statement that “you are from the country where time moves with ease and where kindness is cherished” erases centuries of African American struggle in the face of racist violence and systemic exclusion. The book tries to instill pride in African Americans, who continue to struggle with a lack of shared identity or common experience; ultimately, it stumbles in its messaging and attempts to turn an extremely complicated, sometimes controversial topic into a warm and fuzzy picture book. All characters are Black.
A simplistic take on the complex issue of Black identity in America. (Picture book. 5-9)Pub Date: Jan. 11, 2022
ISBN: 978-0-06-308285-4
Page Count: 32
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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