By turns erotic, romantic, and mysterious, this tale of women defying patriarchal strictures enchants.
Appalled that her sister, Mindi, would even consider an arranged marriage, Nikki Grewal reluctantly pins Mindi’s dating profile to their Sikh temple’s marriage board. But Nikki may be the sister whose life changes.
Nikki has pretty much disgraced herself and her family—British, Punjabi, Sikh—several times over: in addition to dropping out of law school, she’s moved out of the family home and into her own flat above O’Reilly’s pub, where she tends bar. She’s also taken several lovers, none of whom she ever intended to marry. So Mindi’s desire for a traditional arranged marriage bewilders Nikki, particularly since Mindi has a successful career as a nurse and doesn't need anyone else to support her. While posting the profile, though, Nikki notices an advertisement for a writing instructor. Although disinclined to hire a young, modern woman, Kulwinder Kaur, Community Development Director of the Sikh Community Association, has had no other applicants. So Nikki begins teaching a group of Punjabi widows, who quickly hijack her lesson plans. Instead of teaching a creative writing course, or even an introductory English literacy course, Nikki finds herself facilitating an erotic storytelling workshop. The widows delight in telling titillating tales of illicit sexual encounters despite the danger of discovery by the Brothers, the self-appointed morality police. As Nikki deepens her relationships with the widows—and finds a new boyfriend along the way—she learns of the strange death of Kulwinder’s daughter, Maya, who may have been accused of dishonorable behavior. But trying to discover what happened to Maya may land Nikki herself in trouble. With a keen ear for dialogue and humor, Jaswal (Sugarbread, 2016, etc.) deftly entwines these women’s lives, creating a world in which women of multiple generations find common ground in the erotic fantasies that reveal both lived experiences and wistful dreams.
By turns erotic, romantic, and mysterious, this tale of women defying patriarchal strictures enchants.Pub Date: June 13, 2017
ISBN: 978-0-06-264512-8
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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