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MY NAME IS BANA

An important addition to children’s literature about refugees, featuring a young activist’s own story.

In this picture book drawn from her own experience, young activist and author Alabed shares a story about resilience, courage, seeking refuge, and a family’s strength against persecution in Syria.

When Bana asks her mother about the story of her name, her mom says that she’s named after a tall bushy tree that grows in her native Syria. Her parents gave her the name in the hope that she will be strong as the tree. Her mom, who wears a headscarf as she and her daughter cuddle in an armchair, explains what strength means: being brave even when scared, helping others, speaking out for justice, nurturing one’s mind and body, and, most importantly, having hope. Beautiful, child-friendly art illustrates the concepts graphically, with a nuanced focus on protagonists’ faces and emotions. Bana recalls times when she was strong, like when she persevered despite being scared by bombs falling from the sky, when she comforted her scared little brothers and improvised a playground in the living room to distract them, and when she learned new things and made new friends in a new country. In the intimate interaction between the daughter and mother, hope and reassurance are exchanged, and Bana’s roots grow deeper. In an author’s note at the end of the book, Alabed contextualizes and historicizes the story and shares what became of her after leaving Syria. Importantly, the narrative depicts pride in speaking a heritage language, here Arabic, in a new foreign country. (This book was reviewed digitally.)

An important addition to children’s literature about refugees, featuring a young activist’s own story. (Picture book. 7-12)

Pub Date: Sept. 21, 2021

ISBN: 978-1-5344-1248-4

Page Count: 40

Publisher: Salaam Reads/Simon & Schuster

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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