Both a meaningful effort toward inclusion and a solid conversation starter about bullying
Thuy wants to overcome the bullies that taunt her.
Graphite-and–digital color illustrations show Thuy sadly walking home from menacing bullies at school. Thuy is Asian and wears an adorable cat hat over her straight, shoulder-length black hair. Tran’s bubbly cartoon style excels at Thuy’s many facial expressions. In “the crisp, white blanket of new snow,” Thuy’s footprints begin to embody animals that she admires: “V” shapes for a cardinal that can fly from danger, deep stomps for a towering grizzly bear, and others. When her two loving parents, Momma Ngoc and Momma Arti (the former likely Vietnamese, like Thuy, and the latter South Asian), join her in this therapeutic imaginary play, together all three become a phoenix, then the Hindu Sarabha, and then a whole new creature—complete with heart-shaped footprints. By including colorful double-page spreads of the phoenix and Sarabha and further information about these ancient creatures in the backmatter, the book sends a powerful message about the strength children can draw from their own cultural heritage. With this story about two moms joining their daughter through child-centered play to face adversity as one, Phi explains in his author’s note, he hopes to nurture the marginalized and challenge “systems of harm.” Even though Thuy’s repetition of the titular phrase stilts the story’s rhythm at times, this doesn’t overshadow the underlying message: It’s good to open up to the people who love you.
Both a meaningful effort toward inclusion and a solid conversation starter about bullying . (Picture book. 5-9)Pub Date: Sept. 1, 2019
ISBN: 978-1-68446-000-7
Page Count: 32
Publisher: Capstone Editions
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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