A lovely—and needed—book about the rewards of persistence and Black people enjoying nature.
A girl and her father, both brown-skinned, hike to the “tippy top” of a mountain in Saint Lucia.
“It’s a great day for watching futbol,” says Daddy, but his daughter wants to go hiking, and she’s raring to go. Dad reminds her that they have to pack their knapsacks. Soon after, they’re off! As they leave their seaside village, the girl shoots ahead eagerly while her father paces himself. Ascending the lushly forested slope, they admire tropical flora and fauna. Dad struggles and pauses to rest, but the spirited girl is undaunted; full of joyful abandon, she leaps over boulders, skirts the insects that attack Dad, and uses a vine to swing across a river, much to her father's dismay. There are mishaps (nothing too serious!), but the pair persist and “mouté! Climb on!” Paul’s text is narrated with brio and exclamations aplenty. Short sentences create a sense of urgency that mirrors the girl’s excitement and haste. Saint Lucian Creole words appear throughout and are glossed in-text, adding cultural authenticity; unfortunately, the words are othered with italicization. Alcántara’s signature motion-packed art, rendered vibrantly in pencil, marker, and gouache with digital touches, lends itself well to a story centering physical activity. Varying visual perspectives allow readers to better feel the characters’ emotions and appreciate the spectacular setting. A surprise seek-and-find challenge at the end can be enjoyed by a broad age range.
A lovely—and needed—book about the rewards of persistence and Black people enjoying nature. (Picture book. 3-6)Pub Date: March 8, 2022
ISBN: 978-0-7358-4481-0
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
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