Compelling, delicate, and spare, this book brings both artist and garden to life.
Rosenstock weaves the story of folk artist Nek Chand Saini and the magnificent secret garden he built in Chandigarh, India.
Now spread over 40 acres and open to the public since 1976, Nek Chand’s Rock Garden is a world of palaces, temples, and villages, showcasing over 5,000 creative sculptures of people, animals, and whimsical creatures, all made from discarded industrial items and household articles. The spare, lyrical text brings forth the stories that Nek Chand grew up with and evokes the village that stayed with him long after he and his family had to flee during the Partition of India in 1947, “walking for twenty-four days across the new border into India. Nek carried only village stories in his broken heart.” When his garden, built illegally on government ground, was discovered and threatened with destruction, the people of Chandigarh rallied, preserving both his job and the garden. Nivola’s delicate and detailed watercolor-and-gouache illustrations feature people with dark hair and skin of different shades of brown. They show authentic snippets of pre-Partition village life as well as the surreal landscape he built; these are complemented by a double gatefold of photos of the actual garden. There is no glossary, but most of the few Punjabi words in the text are easily assumed from the context. Readers may wish for maps of India and the garden.
Compelling, delicate, and spare, this book brings both artist and garden to life. (bibliography, author’s note) (Picture book/biography. 5-10)Pub Date: Feb. 13, 2018
ISBN: 978-0-7636-7475-5
Page Count: 48
Publisher: Candlewick
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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