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FEET, GO TO SLEEP

This technique for drifting off to slumber is surely worth a try.

When every inch of you is bone tired, why not try falling asleep bit by bit?

That’s what little Fiona, weary from a tiring day frolicking with family at the beach, does—and it works. She dispatches each body part off to dreamland, reminiscing as she goes how each part, starting with her toes and proceeding upward, was especially suited to enjoy a day bursting with activity and fun. The watercolor, gouache, fabric, and digital illustrations are bright and cheerful, neatly conveying a perky child and her warm, happy memories of a day spent with loving, multiethnic relatives. In her body language, Fiona looks almost as energetic in her varying states of repose as she did on the beach and during the picnic afterward, which may lead some readers to believe that actively, consciously willing the body to sleep might stimulate wakefulness rather than induce drowsiness. Additionally, the front blurb suggests that sending body parts off to sleep, one by one, is “a proven relaxation technique,” but no supporting evidence to back this up is provided in an author’s note or elsewhere; parents might appreciate corroborative research or anecdotal data. Still, children and their special grown-ups should find this an endearing prelude to bedtime after their own very busy days, especially if enlivened by discussions of how kids’ body parts figured into their activities.

This technique for drifting off to slumber is surely worth a try. (Picture book. 3-6)

Pub Date: May 12, 2015

ISBN: 978-0-449-81325-6

Page Count: 32

Publisher: Knopf

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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GREEN IS FOR CHRISTMAS

Fun enough to read once but without enough substance to last.

Familiar crayon characters argue over which color is the essential Christmas color.

Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)

Fun enough to read once but without enough substance to last. (Picture book. 3-6)

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-35338-7

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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