With this so-so historical novel, Chase-Riboud (Echo of Lions, 1988, etc.) returns to the scene of her first work, Sally Hemings (not reviewed), to pick up the story of Harriet Hemings, the daughter of slave Sally Hemings and Thomas Jefferson. Jefferson promised Sally Hemings that their children, who were slaves at Monticello, would be allowed to ``stroll'' at 21—that is, their running away would be ignored but they would not officially be freed. When she reaches that age in 1822, Harriet Hemings is escorted to Philadelphia by an old friend of Jefferson's, changes her name to Harriet Petit, and begins passing as a white woman. The juicy premise delivers some insights into the nature and definition of race, but Chase-Riboud's clumsy use of history gives some sections the feeling of a virtual-reality game- -now you are watching Sojourner Truth give her famous ``Ain't I a Woman'' speech; now you are witnessing discussions about the Dred Scott case. Broader historical information is less intrusive, like Petit's close friendship with Charlotte Waverly, which eventually becomes a sexual relationship of the type that was common among middle-class women at the time. Although Petit narrates most of the time, she is interrupted intermittently by other characters- -including Jefferson and Abraham Lincoln—whose sections end with preachy proclamations. It is unclear exactly what these are meant to accomplish, since they use formal language to announce facts that certainly would not have been made public at the time. In any case, these voices are all less effective than Petit's. A scene in which she returns to Monticello after Jefferson's death and spies a list of slaves to be auctioned off—including her own mother entered at 50 dollars—is particularly chilling. Lacking literary finesse, but still powerful enough to tarnish the reputation of yet another dead white man.
Pub Date: Oct. 19, 1994
ISBN: 0-517-59861-2
Page Count: 480
Publisher: Crown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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