Much of the story revolves around issues of reproduction, housework, and economic opportunity that contemporary feminists...
A Depression-era artist struggles with crippling poverty and sexism in bohemian London; the result is a surprisingly charming and funny novel (first published in 1950).
Sophia meets her future husband, Charles, on a train; both are 20 years old and carrying portfolios. When they marry against their families’ wishes, Charles’ father cuts off his allowance, leaving them with nothing to live on but what Sophia earns working at a commercial studio. To their dismay, she soon finds herself pregnant: “I had a kind of idea if you controlled your mind and said ‘I won’t have any babies’ very hard, then most likely they wouldn’t come. I thought that was what was meant by birth-control.” Fired for her pregnancy, she cobbles together something less than a living as a model, while Charles paints, parties, schemes to have their son sent to an orphanage, and—typical of the men in Sophia’s life—does almost nothing to support them or care for the household. In the years that follow, Sophia allows Charles to talk her into one abortion and later refuses to have another, losing a child to sickness brought on by “stupidity and poverty.” She describes her early conversations with a man who will become her lover: “When I talked he listened most intently to every word I said, as if it was very precious. This had never happened to me before, and gave me great confidence in myself, but now I know from experience a great many men listen like that, and it doesn’t mean a thing; they are most likely thinking up a new way of getting out of paying their income tax.” Frequently too poor to buy food, Sophia often has to choose between keeping her children at home and sending them away to unpleasant relatives who can afford to feed them.
Much of the story revolves around issues of reproduction, housework, and economic opportunity that contemporary feminists would see as questions of justice. But Sophia narrates a story of fairy tale–like fatality, casting an amused, self-deprecating light on even the most painful moments.Pub Date: Oct. 27, 2015
ISBN: 978-1-59017-896-6
Page Count: 224
Publisher: New York Review Books
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
