Yet another career-obsessed man comes to his senses and discovers his softer side with the woman he loves. Jack McGill is a high-powered architect who’s abandoned his creative self for the big bucks (that is, sold out) and is designing casinos and resorts instead of the homes he—d always dreamed of. In the transformation from struggling artist to man-of-the-hour, he’s lost his wife, the painter Rachel Keats, and their two daughters, 15-year-old Samantha and 13-year-old Hope. Mother and daughters have moved to Big Sur for the quiet life’s rewards. Meanwhile, back in San Francisco, Jack spends any free time he’s got with his polished but somehow lackluster girlfriend Jill. In due course, Jack receives a wee-hours phone call and learns that Rachel’s been hit in a car accident; she was driving to her book club in Carmel when an elderly woman accidentally edged her off the road. Not quite sure why he’s doing it, Jack hauls himself off to Big Sur, leaving behind his angry business partner, several big-money projects, and the long-suffering Jill. Rachel’s in a coma; Samantha and Hope—lost in the baffling throes of adolescence—are desperate for love and yet also suspicious and resentful of the father who disappeared so long ago. As Rachel lies unconscious in the hospital, Jack, Samantha, and Hope—with the support of Rachel’s new friends, the members of her book group—struggle to become the family they always should have been. Hard-core Delinsky fans (A Woman’s Place, 1997, etc.) will be satisfied here. But newcomers won’t beg for more: Samantha and Hope provide much-needed angst and humor, but Jack and Rachel’s relationship, pre- and post-coma, is so predictable that it’s hard to care.
Pub Date: July 1, 1998
ISBN: 0-684-84576-8
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Roberts does it again with this fast-paced romantic mystery that's both steamy and thrilling, despite its somewhat obvious...
Beautiful Italian babe with a passion for fire and doomed hunks joins the arson squad and discovers that someone has held a torch for her since she was a child.
When Reena Hale is 11 years old, she watches her family's Baltimore pizzeria go up in flames. Thanks to a local arson detective, John Minger, and the girl's keen memory, police determine that a neighborhood crook whose young son had recently attacked Reena was out for revenge, and soon cops publicly haul the dirt bag off to jail. The large and loving Hale family bands together and rebuilds; Reena grows up curious about the origins of fire. She attends college and, after her boyfriend dies in an accident, joins the police force and learns the inner workings of the fire department. Eventually, she teams with Minger to solve the city's suspicious fires. Meanwhile, over the years, a shady character has been hiding in the shadows, waiting for the right moment to violently sabotage Reena's relationships (usually with the help of explosives). Somehow Reena doesn't put together that all of her boyfriends have been in the path of catastrophic (occasionally deadly) events, so her stalker hits the phone lines to clue her in with dirty messages that become more and more intimate. When Reena launches a torrid love affair with her new neighbor, whose truck soon explodes, she begins to get it. Fearing for her family's safety, Reena reopens past cases and learns that her troubles started when she was a child. The tale builds to a breathless climax as she (literally) races to beat out the flames of one fire before determining where the next one will be set.
Roberts does it again with this fast-paced romantic mystery that's both steamy and thrilling, despite its somewhat obvious nature.Pub Date: Oct. 4, 2005
ISBN: 0-399-15306-3
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
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